C4I
This piece is both a concert and a film that uses data as its material and theme, highlighting the ways in which data shapes our understanding of the world. Video images of landscapes are progressively abstracted into a language of data.
This piece is both a concert and a film that uses data as its material and theme, highlighting the ways in which data shapes our understanding of the world. Video images of landscapes are progressively abstracted into a language of data.
This piece is both a concert and a film that uses data as its material and theme, highlighting the ways in which data shapes our understanding of the world. Video images of landscapes are progressively abstracted into a language of data.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
เรื่องราวเกี่ยวกับชีวิตสมัยใหม่และความไม่สมดุลกันอย่างน่าตกใจที่ถูกทำเป็นภาพยนตร์เป็นเรื่องราวแรกในภาพยนตร์ไตรภาคก่อนเรื่องโพวาคัทสึ
ภาพยนตร์คอนเสิร์ตปี 1984 ของวง Talking Heads กำกับโดย Jonathan Demme นำเสนอการแสดงสดสุดไดนามิก เริ่มต้นด้วย David Byrne คนเดียวบนเวที ก่อนที่สมาชิกวงและเครื่องดนตรีจะค่อยๆ ปรากฏขึ้น เป็นการบันทึกการแสดงสดที่ถือเป็นหนึ่งในภาพยนตร์คอนเสิร์ตที่ดีที่สุดตลอดกาล ด้วยพลังงานและสไตล์การแสดงที่เป็นเอกลักษณ์
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
In this concert film, 'Hannah Montana' star Miley Cyrus performs a slew of hit songs, including 'Just Like You' and 'Life's What You Make It.'
Filmed in Amsterdam on the European leg of his 2017 – 2018 Us + Them tour which saw Waters perform to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side of the Moon, The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?
While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.