近所のおばさん2 - のしかかる -
Nonoko Hagiwara left the water business a few years ago. She was currently working part-time at a nearby diner...
Nonoko Hagiwara left the water business a few years ago. She was currently working part-time at a nearby diner...
Maako Tsuji
Nonoko Hagiwara
太田始
Yoshio Ogura
栗原良
Yuji Matsukawa
平賀勘一
Shinnosuke Harada
吉行由実
Yuko Takami
Yoko Tashiro
Emi Matsukawa
Nonoko Hagiwara left the water business a few years ago. She was currently working part-time at a nearby diner...
Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
กิจการของทีมพี่เลี้ยงเด็กประสบปัญหา สคิปเปอร์จึงต้องไปทำงานในสวนน้ำช่วงซัมเมอร์ และทักษะการดูแลเด็กของเธอก็ช่วยได้เยอะ
Aldin, a vagabond water vendor, embarks of a series of fantastical and tragic misadventures through the Middle East in search of love, fortune, and power.
Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
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A symbolic reflection on issues of female sexuality, art and identity constructs.
สารคดีที่แหวกทุกกฎเกณฑ์ในเทศกาลภาพยนตร์ซันแดนซ์ปี 2015 ฝีมือผู้อำนวยการสร้างราชิดา โจนส์ ฉายภาพอุตสาหกรรมหนังลามก "สมัครเล่น" และหญิงสาวที่ถูกล่อลวง
A narcissistic runaway engages in a number of parasitic relationships amongst members of New York's waning punk scene.