Other v.1.1.
Re-filmed 8mm home movies (Yugoslavia) and arbitrary public dialogues, both (still) self-collected and self-archived, are put in seemingly random correlations, which explore an individualized, diary-style relation to (auto)ethnographic and historic vision that doesn't aim at storytelling, but goes down to question the ontology of the image itself, as well as preconceived concepts of history, (collective) memory, archive. Other investigates found footage as experimental ethnography - the artist as archivist and the artist as (auto)ethnographer. The film is structured as a nonlinear, fluid rhizomatic system.
