A walk in the woods become a metaphoric journey in Chloé Leriche's short film. As a solitary figure moves through the forest, the texture of stone, the movement of water, all the infinite pageantry of the natural world is captured in its richness and detail. With the help of an orchestrated soundscape and composed cinematography, Blue Suns catches the miracle and mystery of this world as it unfolds.
A walk in the woods become a metaphoric journey in Chloé Leriche's short film. As a solitary figure moves through the forest, the texture of stone, the movement of water, all the infinite pageantry of the natural world is captured in its richness and detail. With the help of an orchestrated soundscape and composed cinematography, Blue Suns catches the miracle and mystery of this world as it unfolds.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
This character-driven film considers the evolving sex trafficking landscape as seen by the main players: the exploited, the pimps, the johns that fuel the business, and the cops who fight to stop it.
Years spent recording footage of creatures from every corner of the globe is bound to produce a bit of drama. Here's a behind-the-scenes look.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
เมื่อนักสร้างสารคดีพบว่ามหาสมุทรต่างๆ บนโลกกำลังล้นปริ่มไปด้วยขยะพลาสติก เขาจึงออกสืบสวนเพื่อค้นหาผลกระทบของมลพิษต่อสิ่งแวดล้อม
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.