Distorsions

A ruthless gang led by private detective Joseph Plender is extorting rich people and famous fashion photographer Vincent Mandel seems the next victim. He is married to Hélène, daughter of one of the richest people in Europe, but not quite happily. In fact the marriage is on the brink of a divorce and a judge is deciding who will take the two children. Can Hélène take them to Germany or will they stay with Vincent? Vincent has a lot on his mind and he improvises when model Sofia Kippiani comes to his studio, but his makeup crew doesn't show up. Before he knows it, he is accused of a rape. Things go worse and worse for Vincent, he sees his entire life slipping away and, most importantly, he might lose his children. But why does his former schoolmate Joseph Plender seek contact with Vincent and even solve a nasty problem for him? Does Plender want something more than money?

When Jeanne, a meticulous insurance assessor, is suddenly left to care for her estranged sister’s two children after their mother vanishes, her carefully ordered life begins to unravel. Confronted with unexpected responsibilities, she must balance the fragile task of earning the children’s trust while also tending to her own relationship with her girlfriend, who struggles to adjust to Jeanne’s new role. As grief, uncertainty, and shifting loyalties mount, Jeanne finds herself redefining what family and love truly mean.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

Psychological drama of the compelling relationship between a young French engineer and the girl he takes into his home after his wife has left him with their baby son.

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

เมื่อผู้คุมกฎมาเฟียระดับแนวหน้าของไมแอมีพบว่าหัวหน้าสาวแสนร้ายกาจของเขาเริ่มทำการค้ามนุษย์ในโลกไซเบอร์ เขาจึงตัดสินใจเสียสละทุกอย่างเพื่อช่วยชีวิตวัยรุ่นไร้บ้านคนหนึ่ง

เจ็ดปีหลังจากเหตุการณ์ใน “ฆ่าให้ เหี้ยน" อดีตสายลับ ฟิลลิป (ฌอง-คลี อด แวน แดมม์) และลูกสาวที่หายตัว ไปนานของเขา วาเนสซ่า กำลังใช้ชีวิต อย่างสงบสุขอย่างสันโดดอยู่ในอิตาลี แต่เมื่อ วลาด สหายของเป้าหมายก่อน หน้านี้ที่อยากล้างแค้นค้นหาที่อยู่อาศัย ของพวกเขาจนเจอ พวกเขาจึงต้องทำ ทุกอย่างเพื่อหลบหนีกองทัพไร้ปราณี ของมันให้ได้ ต้องหนี แถมพวกมันก็ เยอะกว่า และต้องต่อสู้เอาชีวิตรอด สองพ่อลูกรวมใจกันรักษาตัวรอดและ รักษาหมู่บ้านที่ฟิลลิปเคยเรียกว่าบ้าน จะเอาชนะคนของวลาดและช่วยชีวิต คนบริสุทธิ์ที่เป็นอันตรายเพราะเขาได้ ฟิลลิปกับวาเนสซ่ารู้ว่างานจะไม่จบเลย จนกว่าจะได้ยิงกระสุนนัดสุดท้าย

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

Jean-Marie Fayard is a young examining magistrate in a large provincial french city. He belongs to that generation of judges who are endeavoring to re-adapt the notion of justice to our changing times. His methods are not agreeable to every one. Criticism and pressure are brought to bear upon him but he is aware of his value, professionally, and refuses to make any concessions. He follows an unwavering course. He uses dynamic methods and takes uncustomary initiatives. He behaves like a crusader, a battler, whence the nickname given him by the reporters : the sheriff.