A several-second passage depicting a woman's agitated face is repeated in a loop that decomposes, distorts and reassembles her expression and gesture into an image of masochistic violence, whipped by gusts of voice synthesizer-induced, destroyed sound. The author appropriates the videotape and, through jerks of fast-forwarding and rewinding, it disintegrates the temporality not only of the original shot but also of the event depicted.
A several-second passage depicting a woman's agitated face is repeated in a loop that decomposes, distorts and reassembles her expression and gesture into an image of masochistic violence, whipped by gusts of voice synthesizer-induced, destroyed sound. The author appropriates the videotape and, through jerks of fast-forwarding and rewinding, it disintegrates the temporality not only of the original shot but also of the event depicted.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
ในผลงานกำกับภาพยนตร์ขนาดยาวเรื่องแรก มาริสกา ฮาร์กิเทย์พาผู้ชมย้อนรอยเรื่องราวของแม่ของเธอเป็นครั้งแรก เจน แมนส์ฟีลด์ ตำนานฮอลลีวู้ดผู้จากไปอย่างน่าเศร้าเมื่อเกือบหกทศวรรษก่อน การค้นหาครั้งนี้คือการตามหา “แม่” ที่เธอไม่เคยได้รู้จัก
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
ฆาตกรต่อเนื่องชื่อเดนนิส นิลเซนบรรยายชีวิตและอาชญากรรมสุดโหดด้วยตนเอง ผ่านเทปเสียงสะเทือนขวัญที่บันทึกจากในห้องขัง
A documentary that explores the downloading revolution; the kids that created it, the bands and the businesses that were affected by it, and its impact on the world at large.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
A look at the origins, history and conspiracies behind the "Majestic 12", a clandestine group of military and corporate figureheads charged with reverse-engineering extraterrestrial technology.
In this documentary, recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it therefore to be his rightful property.