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7.0 1h 22m

Эйзенштейн в Алма-Ате

This video chronicles a crucial period in the life of the great Soviet filmmaker, Sergei Eisenstein (1898-1948), when he left Moscow during WWII for the Kazakhstan capital to film Ivan the Terrible (1943). Suffering under a heavy work schedule, fighting artistic interference from the Ministry of Cinema, constantly fearful of arrest by Stalin's secret police, crushed by feelings of loneliness and forebodings of death, Eisenstein suffered his first heart attack. The video visits sites where he lived and worked, features intimate excerpts from Eisenstein's diary, rare production footage, the director's sketches and screen tests, and interviews with friends, coworkers, and Soviet journalists and film critics, including Naum Kleiman, curator of the Eisenstein Museum.

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This video chronicles a crucial period in the life of the great Soviet filmmaker, Sergei Eisenstein (1898-1948), when he left Moscow during WWII for the Kazakhstan capital to film Ivan the Terrible (1943). Suffering under a heavy work schedule, fighting artistic interference from the Ministry of Cinema, constantly fearful of arrest by Stalin's secret police, crushed by feelings of loneliness and forebodings of death, Eisenstein suffered his first heart attack. The video visits sites where he lived and worked, features intimate excerpts from Eisenstein's diary, rare production footage, the director's sketches and screen tests, and interviews with friends, coworkers, and Soviet journalists and film critics, including Naum Kleiman, curator of the Eisenstein Museum.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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Val

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