At the house of an elderly childless couple, about seventy years old, with poor health, living in a small village, unknown people leave a six-month-old baby. An old man and an old woman are going to hand over the child to the authorities. But having heard that young children are being sold for organs, they decide to leave the child to themselves. Caring for a baby turns the lives of older people in a completely different direction. They have an interest in life.
Toktosun Arzygulov
Gulayum Kanimetova
Kutmidin Erkebekov
Kalipa Usenova
Женишбек Сманов
Sultan Syrtbaev
At the house of an elderly childless couple, about seventy years old, with poor health, living in a small village, unknown people leave a six-month-old baby. An old man and an old woman are going to hand over the child to the authorities. But having heard that young children are being sold for organs, they decide to leave the child to themselves. Caring for a baby turns the lives of older people in a completely different direction. They have an interest in life.
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
Living in rural Texas is a dysfunctional family: an abusive dad, a Vietnam vet with a war wound that's left him impotent; a compliant wife and a son of about 20, two small sons who look a lot like their brother. The dad harbors a secret, and he goes to murderous lengths to keep it hidden. The young man, Jimmy, who has suspicions, but little comes out until a Yankee woman comes to town.
A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.
A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
ในเอเลนอร์ผู้ยิ่งใหญ่ จูน สควิบบ์ ถ่ายทอดบทบาทของเอเลนอร์ มอร์เกนสตีน หญิงวัย 94 ปี ผู้มีไหวพริบและภูมิใจในความแสบของตัวเองออกมาได้อย่างมีชีวิตชีวา หลังเผชิญกับความสูญเสียใหญ่หลวง เธอได้เล่าเรื่องที่เกิดบานปลายจนเป็นอันตราย นี่คือผลงานกำกับเรื่องแรกของสการ์เล็ตต์ โจแฮนส์สัน เป็นการสำรวจที่ทั้งขบขันและสะเทือนใจ ว่าเรื่องราวที่เราได้ฟังกลายมาเป็นเรื่องราวที่เราเล่าต่อได้อย่างไร เพิ่มเติม พ.ศ. 2568 · 1h 38m 66%
In 1960s Los Angeles an energetic widow and her six children try to make a dream of theirs come true: to have a home of their own. They leave L.A. and head for the countryside, all the while facing numerous difficulties and obstacles during their journey.
A boozy lowlife tries to bury the truth about his crazy stepson's suspicious death, but a nosy newspaper columnist and the young man's mother complicate matters.
When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.
After her stay-at-home husband leaves her, a workaholic lawyer finds that she is not completely up to the tasks of caring for her young son, ailing father and household all by herself.