Sachiko was a stewardess when she met Masao, who often worked overseas, on a plane, and through that, she married Masao. Of course she was a virgin. Her newlywed life with the wealthy Masao was nothing short of bliss. However, although Masao pretended to be a serious husband in front of Sachiko, Masao, who was originally passionate, was not satisfied with just his virgin wife...
Noriko Akikawa
Kanae
Akihiro Nozawa
なかみつせいじ
Sachiko was a stewardess when she met Masao, who often worked overseas, on a plane, and through that, she married Masao. Of course she was a virgin. Her newlywed life with the wealthy Masao was nothing short of bliss. However, although Masao pretended to be a serious husband in front of Sachiko, Masao, who was originally passionate, was not satisfied with just his virgin wife...
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
การเดินทางบนถนนผ่านภูมิประเทศอันน่าทึ่งและซับซ้อนของความรักของหนุ่มสาวที่มีปัญหา
ภายหลังพ้นโทษจากเรือนจำ ซึสึโกะ สัมผัสได้ว่าผู้คนรอบข้างต่างมองเธอแบบไม่ไว้ใจ เธอรู้สึกผิดหวังและตัดสินใจออกเดินทางด้วยความรู้สึกเจ็บปวด พร้อมกับตั้งกฎให้กับตัวเองว่า จะออกเดินทางไปยังเมืองอื่น ๆ ทันทีที่เก็บเงินได้ครบหนึ่งล้านเยน การเดินทางของเธอในครั้งนี้เสมือนการค้นหาตัวตน พร้อม ๆ กับกอบกู้เศษซากชีวิตที่เคยทำหล่นหายไปในอดีต เพื่อเรียนรู้ที่จะไว้ใจคนอื่นอีกครั้ง
Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.
The story follows the social intercourse between a cameraman, Masaya, with a visual impairment, and Misako who disconnects from the world.
Day in and day out, lovers Cynthia and Evelyn enact an elaborate sadomasochistic fantasy as mistress and maid. But as their ritual of domination and submission begins to turn stale, Cynthia yearns for something more conventional, while Evelyn tries to push their taboos even further.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Playboy Thomas Fuentes has so far been able to skate by in life on good looks and charm alone. But when his duplicitous relationships with three women -- impassioned waitress Cici, meticulous lawyer Lorena and bored socialite Patricia -- spiral out of control, he suffers a mental breakdown. His doctor recommends that he choose just one girlfriend -- but can he choose in time before they discover his deception?
Sex & Fury chronicles Ocho's exploits as she searches for her father's killers, each identified by unique tattoos on their backs (a deer, a boar, and a butterfly). Along the way, she also crosses paths with Shunosuke, a radical set on murdering prominent politician Kurokawa, and Christina, an American spy posing as a gambler.
หญิงสาวย้ายเข้ามาอยู่ร่วมชายคากับเพื่อนสนิทของคู่หมั้นที่ด่วนจากไปกะทันหัน และค้นพบด้านที่เธอแทบไม่รู้จักในตัวคนรักผู้ล่วงลับ