This film, made in one afternoon, is an "inspired promenade," the discovery of an exhibition with improvised text and commentary. Five shot sequences of ten minutes apiece, following the chronological order of the history of cinema as conceived by Henri Langlois thirty years ago. Two weeks later, the Musée was devastated by a fire at Palais de Chaillot. It is thus the final testament, full of emotion and passion, of the last masterwork of Henri Langlois.
This film, made in one afternoon, is an "inspired promenade," the discovery of an exhibition with improvised text and commentary. Five shot sequences of ten minutes apiece, following the chronological order of the history of cinema as conceived by Henri Langlois thirty years ago. Two weeks later, the Musée was devastated by a fire at Palais de Chaillot. It is thus the final testament, full of emotion and passion, of the last masterwork of Henri Langlois.
As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the chance for renewed success with the film The Other Side of the Wind.
เมื่อวิหารสำคัญทางประวัติศาสตร์ซึ่งตั้งอยู่ใจกลางกรุงปารีสเผชิญเหตุเพลิงไหม้ครั้งใหญ่ เหล่านักดับเพลิงในเมืองจึงต้องยอมเสี่ยงทุกสิ่งเพื่อปกป้องสถานที่ศักดิ์สิทธิ์แห่งนี้
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker.
When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
A look behind the lens of Christopher Nolan's space epic.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
ในปี 1974 ผู้กำกับชิลี-ฝรั่งเศส อเลฮานโดร โฮโดโรว์สกี ได้เริ่มโครงการที่เต็มไปด้วยอุดมคติในการดัดแปลงนวนิยายที่มีอิทธิพลของแฟรงค์ เฮอร์เบิร์ต เรื่อง Dune (1969) สำหรับโรงภาพยนตร์ หลังจากใช้เวลาสองปีและเงินหลายล้านดอลลาร์ โครงการขนาดใหญ่ดังกล่าวจบลงด้วยความล้มเหลว แต่ศิลปินที่โฮโดโรว์สกีนำมาร่วมงานนั้นยังคงทำงานกันต่อและท้ายที่สุดได้วางรากฐานสำหรับโรงภาพยนตร์วิทยาศาสตร์สมัยใหม่.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.