This is a Video Monitor is an attempt to construct a wholly ‘videological ‘ experience, and is built on an initial take of a woman describing the paradox of the real and imagined functions of the monitor on which her image appears…
This is a Video Monitor is an attempt to construct a wholly ‘videological ‘ experience, and is built on an initial take of a woman describing the paradox of the real and imagined functions of the monitor on which her image appears…
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
สารคดีปลอมๆ ฮาฮา เกี่ยวกับศึกแมทซ์ชิงแชมป์เทนนิสครั้งยิ่งใหญ่ 7 แมทซ์ การแข่งขันมาราธอน 5 เซ็ทระหว่างคนอารมณ์ร้ายกับเด็กเอ๋อ
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her old flame drives by and asks her to go on a date with him. Scared that he doesn't want to go out with her, she lies and tells him that she is just babysitting the kids. This will be her first date in years.
In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.
Clinging to a smooth, curved surface high above a sentient abyss, a woman tries to cover the few feet back to safety without losing purchase and falling to her death.
เรื่องราวเกี่ยวกับชีวิตสมัยใหม่และความไม่สมดุลกันอย่างน่าตกใจที่ถูกทำเป็นภาพยนตร์เป็นเรื่องราวแรกในภาพยนตร์ไตรภาคก่อนเรื่องโพวาคัทสึ
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
A documentary chronicling Vogue editor-in-chief Anna Wintour's preparations for the 2007 fall-fashion issue.
ศิลปินนักถ่ายทำวิดีโอได้พบบุคคลที่สมบูรณ์แบบสำหรับการสร้างผลงานที่ดึงดูดใจ แต่ทว่าไม่นานเขากลับเปิดเผยด้านมืดอันชั่วร้ายออกมาให้เธอได้เห็น