Hiyab
The director of an institute tries to persuade a new pupil to remove her hijab. The young woman resists.
The director of an institute tries to persuade a new pupil to remove her hijab. The young woman resists.
Ana Wagener
Belén
Lorena Rosado
Fátima
The director of an institute tries to persuade a new pupil to remove her hijab. The young woman resists.
I think this film sets off with a point to make, but it manages to contrive that into something that though possibly thought provoking, is actually all a bit shallow. It's all about a young girl (Lorena Rosado) who turns up at school wearing an hijab. The headteacher (Ana Wagener) is trying to persuade her to remove it as religious forms of dress are prohibited at this school. Using a variety of verbal carrots and sticks, she has to try and convince her to take it off before she goes into the classroom. This short feature asks questions about integration, tolerance, conformity and individuality but it doesn't develop any of those themes. Are we to consider the teacher's behaviour intolerant or is it "Fatima" who has to be the one doing the integrating in a nation that has been Roman Catholic for centuries? Is the host nation supposed to bend it's own rules and traditions to accommodate people of different faiths or are they supposed to be more prepared to immerse themselves in their new culture? This raises some of theses issues, but does nothing with them. Disappointing, I'd say.
In revolutionary Iran, as fundamentalists tighten their grip on society, a professor secretly gathers seven of her most dedicated female students to read and discuss forbidden classics of Western literature, including Lolita and Pride and Prejudice. Based on the bestselling memoir by Azar Nafisi. A film by Eran Riklis starring Golshifteh Farahani (Paterson), Zar Amir (Holy Spider), and Mina Kavani (No Bears).
ฮาลา สาวน้อยชาวอเมริกันเชื้อสายปากีสถานวัย 17 ปีตามหาสมดุลชีวิตระหว่างครอบครัว วัฒนธรรม และกฎเกณฑ์ทางศาสนา เมื่อทุกอย่างเริ่มลงตัว เธอกลับพบความลับที่ทำให้ครอบครัวต้องระส่ำระสายอย่างไม่เคยเป็นมาก่อน
วัยรุ่นต้องเผชิญกับการต่อสู้ที่ยากลำบากเมื่อเธอต้องต่อสู้เพื่อให้ผู้หญิงมีโอกาสได้เล่นฟุตบอลแข่งขัน
After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
A woman embarks on a journey alone across the United States after fleeing from her violent husband.
A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
During the 1976 Soweto uprising, a white school teacher's life and values are threatened when he asks questions about the death of a young black boy who died in police custody.
A blind teacher breaks the rules to help a female student rediscover the pleasures of life.
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