Les aventures d'une jeune veuve
A widow must cope with her late husband's associates, crooked Japanese businessmen who want her shares of a rich Northern Quebec land and a Jewish con man who wants to get a hand of her mysterious synthetic fur coat.
A widow must cope with her late husband's associates, crooked Japanese businessmen who want her shares of a rich Northern Quebec land and a Jewish con man who wants to get a hand of her mysterious synthetic fur coat.
Dominique Michel
Hélène
Claude Michaud
Donat
Réal Béland
Jacques Bilodeau
Yvon Bouchard
René Caron
Claudette Delorimier
Denis Drouin
Edgar Fruitier
A widow must cope with her late husband's associates, crooked Japanese businessmen who want her shares of a rich Northern Quebec land and a Jewish con man who wants to get a hand of her mysterious synthetic fur coat.
มอนตี้ คาปูเล็ตตี้ (ร็อดนีย์ แดนเจอร์ฟิลด์) ผู้หมกมุ่นกับการดื่มเหล้า สูบบุหรี่ เล่นการพนัน และการกิน แต่แม่ยายได้ทิ้งมรดกจำนวนมหาศาลไว้ให้เขาโดยมีเงื่อนไขเพียงข้อเดียว: ตามพินัยกรรม เขาต้องเปลี่ยนจากคนชั่วเป็นคนดีก่อนถึงจะได้มรดก
ฟิลเป็นคนช่างฝัน ความฝันส่วนใหญ่ไม่เป็นจริง ฟิลเกลียดสิ่งนั้น แต่นั่นไม่ได้หยุดฟิลไม่ให้ฝัน
François Marsault, a war veteran, makes the most of his retirement alongside his wife Annie. Authoritarian and ruthless, François rules his family with an iron fist — but when he discovers that his esteemed wife cheated on him 40 years ago, he files for divorce and confronts her former lover, who lives in the French Riviera.
Alexandre, a young and honest farmer, is oppressed by an authoritarian wife, who makes him work like a dog. When she dies in a car crash, he decides to stay in bed, absolutely free and inactive. Just a dog is occupied to carry food and newspapers to him.
Henri is a middle-aged writer with fading inspiration who has published nothing worthy of note in years. Feeling increasingly misunderstood by his wife and four grown up deadbeat kids, he dreams of running away to start over again. Yet when he discovers an unattractive, bad-mannered dog in his garden, he decides to adopt him and both start developing an unexpected friendship that inevitably upsets Henri’s family and neighbors.
Flanked by their two children, Simon and Adélaïde decide, like many Parisians today, to leave their two-room apartment for a quieter and more comfortable life in the country. They are seduced by a house in the middle of nature: space, a vegetable garden, a wood adjoining their garden and above all villagers who welcome them with open arms. A dream come true! But the young couple was soon to be disillusioned: the wood was actually a hunting ground for big game! Although the hunters are friendly, they are not willing to give up their territory, making Simon and Adélaïde's dream of the countryside a living hell. But true to their reputation, our Parisians are not going to let them do it.
Michel Berthier, a senior executive at a mattress manufacturing company, has just been fired. As he does not dare to tell the truth to Juliette, his partner, he goes into debt to maintain the family’s standard of living, showering them with gifts. But soon he can no longer lie, and he decides to leave the house. After losing his money, his car, and his shoes, he meets Toubib, Mimosa, and Crayon, three “homeless” people who wash themselves in the restrooms at the Gare de l’Est. They take him under their wing and lead him to break into his former company in order to get sleeping bags and beds.
Alex, a quiet forty-something, leads an ordinary life until new neighbours move in. The husband is Alex’s perfect lookalike… except for one thing: he has hair. Alex sinks into a growing paranoia as he becomes preoccupied with this more charismatic, brilliant and accomplished mysterious double.
อลิซ วัย 38 ปี มีทุกสิ่งทุกอย่างที่จะเป็นบรรณาธิการบริหารคนต่อไปของนิตยสาร Rebelle ยกเว้นภาพลักษณ์ที่เคร่งขรึมของเธอ แต่เมื่อบัลทาซาร์ สาวน้อยผู้มีเสน่ห์วัยเพียง 20 ปี เข้ามาขวางทางของอลิซ เธอจึงรู้ว่าเขาคือกุญแจสำคัญในการเลื่อนตำแหน่งของเธอ
A divorced teacher suddenly becomes jealous of everyone, including her daughter, friends and neighbors.