Et la femme créa Hollywood Backdrop Blur
Et la femme créa Hollywood Poster

Et la femme créa Hollywood

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

นักแสดงนำ

  • Paula Wagner

    Paula Wagner

    Self

  • Lynda Obst

    Lynda Obst

    Self

  • Robin Swicord

    Robin Swicord

    Self

  • Ally Acker

    Ally Acker

    Self

  • Cari Beauchamp

    Cari Beauchamp

    Self

  • Margaret Booth

    Margaret Booth

    Self (archive footage)

  • ลิลเลียน กิช

    ลิลเลียน กิช

    Self (archive footage)

  • Alice Guy-Blaché

    Alice Guy-Blaché

    Self (archive footage)

  • Lois Weber

    Lois Weber

    Self (archive footage)

เรื่องย่อ

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

คะแนน

7.1 / 10
8 รีวิว
0 ยอดนิยม

ภาพยนตร์แนะนำ

Cameraperson

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Cameraperson

6.7 2016