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FUGAKU 1／犬小屋のゾンビ

K, a projectionist, is taken to a lakeside deep in the mountains. There, in a place called “The Dog House”, he finds Professor Shiny in an electrified helmet and his daughter, who is now a corpse. The film was composed from words drawn from a Twitter bot, quoting existing words and images. Directed by Shinji Aoyama in collaboration with Tama Art University, this rarely-seen experimental three-part series (2012–2015) explores cinema as a dynamic, living medium. Combining student-led production with theatrical adaptation and meta-narrative devices, FUGAKU challenges conventional filmmaking while interrogating the boundaries between fiction, reality, and creative education.

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K, a projectionist, is taken to a lakeside deep in the mountains. There, in a place called “The Dog House”, he finds Professor Shiny in an electrified helmet and his daughter, who is now a corpse. The film was composed from words drawn from a Twitter bot, quoting existing words and images. Directed by Shinji Aoyama in collaboration with Tama Art University, this rarely-seen experimental three-part series (2012–2015) explores cinema as a dynamic, living medium. Combining student-led production with theatrical adaptation and meta-narrative devices, FUGAKU challenges conventional filmmaking while interrogating the boundaries between fiction, reality, and creative education.

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1

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

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6.7 2020