SLIGHTSEER
A work exploring the nature of vision, framed within two circular ‘windows’ that mimic the apparatus of binocular vision. The film is accompanied by a string of observations on eyes, blindness and acts of looking.
A work exploring the nature of vision, framed within two circular ‘windows’ that mimic the apparatus of binocular vision. The film is accompanied by a string of observations on eyes, blindness and acts of looking.
A work exploring the nature of vision, framed within two circular ‘windows’ that mimic the apparatus of binocular vision. The film is accompanied by a string of observations on eyes, blindness and acts of looking.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
A scientific film essay, narrated by Phil Morrison. A set of pictures of two picnickers in a park, with the area of each frame one-tenth the size of the one before. Starting from a view of the entire known universe, the camera gradually zooms in until we are viewing the subatomic particles on a man's hand.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Documentary filmmaker Frederick Wiseman takes us inside Northeast High School as a fly on the wall to observe the teachers and how they interact with the students.
The life and career of an actor, artist, and icon. His own journey through his own camera.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
The life story of ‘Zen Anarchist’ filmmaker John Milius, one of the most influential storytellers of his generation.
A promotional making-of documentary for the film The Matrix (1999) that devotes its time to explaining the digital and practical effects contained in the film. This is very interesting, seeing as how they're giving away the cinematic secrets that they created solely for the this movie, that have now been spoofed and referenced in countless other films.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
A student gets his senses enhanced by an experimental drug. But abuse is not an option.