Brazilian actress Iara Jamra embodies the voice of a woman who interrogates herself from the afterlife about the underrepresentation of women in images of History. Her childish interpretation of an excerpt of the book How the dead live (by Will Self) is coupled with black-and-white home movies, old commercials, and film magazines that show women cleaning, working in factories, or babysitting.
Brazilian actress Iara Jamra embodies the voice of a woman who interrogates herself from the afterlife about the underrepresentation of women in images of History. Her childish interpretation of an excerpt of the book How the dead live (by Will Self) is coupled with black-and-white home movies, old commercials, and film magazines that show women cleaning, working in factories, or babysitting.
When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.
More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers.
The elder one of each generation in the Furlong family is equipped with an extraordinary capacity. James discovers the nature of his at the time of an accident which causes the death of his father and his grandmother. Haunted by this mysterious evil he hides in a forest not to harm anybody. A few years later, Mae also takes refuge it in the forest and meets James.
Filmmaker Lawrence Shapiro discusses voice-over acting with the talented people behind the characters.
Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.
An orphaned girl is rescued from a satanic ritual and taken to Saint Catherine Institute for homeless youth. There she will learn new skills while facing demons that stalk her.
Karen, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there's a problem. They're still alive.
หลังจากการหายตัวไปของเด็กสาวชาวยิว ลูกชายของผู้จัดการการงานศพของศาสนายูดาห์นิกายฮาซิด กลับบ้านพร้อมกับภรรยาที่ตั้งครรภ์ด้วยความหวังว่าจะได้คืนดีกับพ่อของเขา โดยที่พวกเขาไม่รู้เลยว่าภายในห้องเก็บศพของครอบครัวที่อยู่ใต้เท้าของพวกเขา มีความชั่วร้ายจากโบราณกาลที่แฝงตัวอยู่ในศพลึกลับ มีแผนการชั่วร้ายสําหรับเด็กทารกในท้องของภรรยา
ภาพยนตร์ที่มีศูนย์กลางของเรื่องคือคนสามคนที่ถูกความตายรบกวนจิตใจไปคนละแบบ จอร์จ คือหนุ่มอเมริกันที่มีจิตสื่อถึงคนที่ตายไปแล้ว อีกฟากหนึ่งของโลก มารี นักข่าวสาวชาวฝรั่งเศสเจอกับประสบการณ์ปางตายที่ทำให้โลกแห่งความเป็นจริงของเธอถูกสั่นคลอน และมาร์คัส เด็กนักเรียนในลอนดอนที่สูญเสียคนใกล้ตัวไป ทำให้เขาเพียรหาคำตอบอย่างสุดชีวิต ซึ่งนำให้ทั้งสามได้มาประสบพบเจอกัน
After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.