Werner van Gent – Leben zwischen Krieg und Musik
Together with his wife and journalist Amalia, Werner van Gent worked as a war journalist in Iraq, Pakistan and the Balkans.
Together with his wife and journalist Amalia, Werner van Gent worked as a war journalist in Iraq, Pakistan and the Balkans.
Werner van Gent
Himself
Together with his wife and journalist Amalia, Werner van Gent worked as a war journalist in Iraq, Pakistan and the Balkans.
With unprecedented access, this documentary follows the extraordinary journey of “Raqqa is Being Slaughtered Silently”—a group of anonymous citizen journalists who banded together after their homeland was overtaken by ISIS—as they risk their lives to stand up against one of the greatest evils in the world today.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
ภารกิจของหมวดทหารยูเครน: เดินทางผ่านป่าที่มีป้อมปราการแน่นหนาเป็นระยะทางหนึ่งไมล์เพื่อปลดปล่อยหมู่บ้านยุทธศาสตร์จากกองกำลังรัสเซีย นักข่าวร่วมเดินทางไปกับพวกเขา เฝ้าดูความเสียหายจากสงครามและความไม่แน่นอนที่เพิ่มมากขึ้นเกี่ยวกับบทสรุปของสงคราม
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.
Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
When Sgt. First Class Brian Eisch is critically wounded in Afghanistan, it sets him and his sons on a journey of love, loss, redemption and legacy.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.