8 fps
"CINEMA IS NOT 24fps"
Pictures taken between France and Mexico running at 8 frames per second.
"CINEMA IS NOT 24fps"
Pictures taken between France and Mexico running at 8 frames per second.
Andrea Campos
Zahid M OS
Man with a camera
Pictures taken between France and Mexico running at 8 frames per second.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Lupita Nyong’o ให้เสียงบรรยายในสารคดีเกี่ยวกับพีนัทส์และผู้สร้าง Charles M. Schulz พร้อมพูดคุยกับเหล่าคนดังผู้เป็นแฟนผลงานทั้ง Drew Barrymore, Kevin Smith และ Al Roker ถึงอิทธิพลที่การ์ตูนชุดนี้มีต่อพวกเขา แถมด้วยเรื่องราวแอนิเมชันใหม่ เมื่อชาร์ลี บราวน์ขอลองค้นหาตัวเอง
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
A look behind the lens of Christopher Nolan's space epic.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
The making of Matrix Revolutions, The (2003) is briefly touched on here in this documentary. Interviews with various cast and crew members inform us how they were affected by the deaths of Gloria Foster and Aaliyah, and also delve into the making of the visual effects that takes up a lot of screen time. Written by Rhyl Donnelly