Gotthard Base Tunnel, Gotthard, Switzerland
Short film depicting the Gotthard Base Tunnel. Part of the Anthropocene installation.
Short film depicting the Gotthard Base Tunnel. Part of the Anthropocene installation.
Short film depicting the Gotthard Base Tunnel. Part of the Anthropocene installation.
เส้นทางสุสานใต้ดินที่ลดเลี้ยวเคี้ยวคดใต้ท้องถนนของกรุงปารีส เป็นสถานที่หลับใหลชั่วนิรันดร์ของดวงวิญญาณนับไม่ถ้วน เมื่อทีมนักสำรวจได้หาญกล้าบุกเข้าไปในเขาวงกตกระดูกที่ไม่เคยมีใครย่างเท้าเข้าไปมาก่อน พวกเขาก็ได้ค้นพบความลับมืดดำที่ซ่อนอยู่ภายในนครแห่งความตายนี้ As Above, So Below โดยเลเจนดารี่ พิกเจอร์ส การเดินทางเข้าสู่ความบ้าคลั่งและความสยดสยอง ได้ล้วงลึกเข้าไปในจิตเบื้องลึกของมนุษย์ เพื่อเผยถึงอดีตมืดดำภายในจิตใจที่ตามหลอกหลอนพวกเราทุกคน
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
A gang of bikers prepares for a race as sexual, sadistic, and occult images are cut together.
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.
Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.
Based on the true story of the collapse of a mine in San Jose, Chile—that left 33 miners isolated underground for 69 days.
In 2015, Christopher Nolan curated a selection of short films by the surrealist animators the Quay Brothers to be distributed as a touring 35mm presentation. The three films—"In Absentia" (2000), "The Comb" (1991) and "Street of Crocodiles" (1986)—were accompanied by this brief portrait of the brothers at work in their London studio.