12 Kilometers
Set against a backdrop of 1980s Russia, a team of scientists and their drill crew have dug the deepest hole known to man. Dredged from the abyss is an entity that brings them face to face with their most terrifying fears.
Set against a backdrop of 1980s Russia, a team of scientists and their drill crew have dug the deepest hole known to man. Dredged from the abyss is an entity that brings them face to face with their most terrifying fears.
Ara Woland
Eduard
Lance A. Williams
Shadow Figure
Эрнст Зорин
Professor Mihailov
Pavel Shatu
Danil
Lana Orlova
Annushka
Gene Ravvin
Main Drill Worker
Paul Caldera
Eduard's Father
Ilya Podolski
Winch Operator
Paul Pecci
Sound Assistant
Set against a backdrop of 1980s Russia, a team of scientists and their drill crew have dug the deepest hole known to man. Dredged from the abyss is an entity that brings them face to face with their most terrifying fears.
Wow. I needed a few minutes after the film to just take it all in.. TL;DR - It's fantastic. Go watch it. If you don't have access to it yet, go find the director Mike Pecci on social media and follow him till he gets you a link. If you like a good suspense movie, you will love this. I want to share this film so badly with my friends. I am not a fan of gory-slasher horror. The cheesy suspense music and story line so obvious that it is boringly obvious when the "scare" will happen? Yeah, those movies are what bored me with the horror genre. This isn't that kind of movie. Not at all. It's everything they aren't in a great way. First, the camera work is amazing. I love the opening shot. Wonderful! How the camera introduces and follows characters is fantastic and this alone is enough reason for me to watch it again. Second, it is mysterious suspense creepy. It pulls you in and engages with you leaving you on the edge in a psychological suspense. It reminds me a lot of how I felt when I watched Hitchcock films when I was young. The storyline is intriguing and just captured my attention. Third, instead of going for gory they went for unnatural. After thinking about it (and confirming my thoughts with a quick search) I'm about 95% certain I know how they did most of their trickery. But while I was watching it, my brain didn't go to "I think I know how they did that trick". Rather it was "Oh my, no...that is not right." The micro-photography was very well done. And because the story was so engaging, when the unnatural began it was creepy and a bit disturbing. The fourth and last reason why I thought 12KM was so much better than modern horror films is because it left me wanting more. I want to know more about what was going on. I want to see how the story progresses. I want to know what happens next. And, of course, I want to go back and feel the same kind of skin-crawl in a full length movie. So why a 4 1/2 instead of 5? Besides the fact that I'm becoming more grumpy and giving less 5 stars than I used to. :-) Well, twice in the film, a moment happened that was jarring in a 'take me out of the momentum of the film' kind of way. Both are fairly minor (neither impact the story), but they are the "movie mistakes" that just irritate me that they were so noticeable when they are really easy fixes. In addition, I understand why the nude scene is important and I don't have a complaint about the scene itself (it actually adds to the creepy factor!). There were just two shots that I thought 'Ack! Why? I did not need to see that!' I just wish the cuts where a bit different I suppose. For a independent film maker on a small budget, I am amazed. I thank the director and his crew for an amazing 30 minutes of entertainment. Also, I LOVED the Kubrick-2001-ish credit scene. I don't know if that was on purpose or not, but that was exactly the kind of trippy-but-this-is-amazing feeling that I had. "Kubrick-ish" is the best complement description I can think of. The credit sequence complimented and ended the film so well.
Shortly after moving into a dark, brooding mansion, a psychologist and his co-workers are terrorized by a horrible evil being.
Clinging to a smooth, curved surface high above a sentient abyss, a woman tries to cover the few feet back to safety without losing purchase and falling to her death.
เคธี่ แม็กโกเวิร์นเป็นนักแสดงที่ดิ้นรนต่อสู้และอาศัยอยู่กับสามีและน้องชายที่เป็นนักเรียนซึ่งมาเยี่ยมเยียน เธอเข้าร่วมการออดิชั่นที่เธอพบในหนังสือพิมพ์ และได้รับเลือกให้ถ่ายวิดีโอสั้น ๆ ซึ่งจะส่งไปให้ผู้กำกับเพื่ออนุมัติ มิสเตอร์เมอร์เรย์ ชายที่จัดการออดิชั่น อุ้มเคธี่ขึ้นและพาเธอไปที่คฤหาสน์ห่างไกลที่พวกเขาถ่ายทำวิดีโอ เคธี่ได้รับเลือกให้มาแทนที่นักแสดงนำคนก่อนในภาพยนตร์ที่ดูเหมือนเธอมาก อย่างไรก็ตาม ในไม่ช้า สิ่งต่าง ๆ ก็เริ่มดูเหมือนว่ามันไม่ใช่สิ่งที่เห็น เคธี่ตระหนักได้ในไม่ช้าว่าเธอตกอยู่ในอันตรายและพยายามหลบหนี
On the surface it's believed to be another urban legend - a supernatural being from the afterlife is violently killing anyone who cheats on their significant other in the small college town of Silvercreek, Pennsylvania. But the town's unusually high suicide rate is finally convincing both locals and college students that everything is not as it seems. When Maeve - a female college student - sleeps with Charlie, the married man of the host family she is staying with, both sense the deadly curse is closing in on them. Unable to get anyone to believe them, Maeve and Charlie seek out a local history student to help find answers and figure out a way to defend themselves. It all comes undone, however, as several people are horrifically killed by the savage being - one-by-one at a rapid pace. Eventually, Maeve, Charlie and the few survivors band together in an attempt to defeat the monster once and for all.
Two women—Diana, a flamboyant and ruthless thief, and Evie, a seemingly innocent young woman with a troubled past—become embroiled in a series of horrific murders on the island of Malta.
A masked maniac terrorizes the same small community where a murderer known as the Phantom Killer struck decades earlier.
A group of international passengers on a flight from Los Angeles to Shanghai is forced to make an emergency landing in shark-infested waters. The terrified group is forced to work together and overcome their differences if they hope to escape their sinking plane and the frenzy of sharks drawn to the wreckage.
Sinister things begin happening to kidnappers who are holding a young boy for ransom in a remote cabin.
Mara, an ancient pagan spirit, hunts a group of teenagers, taking their body parts to be reborn. A disillusioned and desperate investigator has to face his deepest fears to save the teenagers.
A malevolent being known as The Jester terrorizes the inhabitants of a small town on Halloween night, including two estranged sisters who must come together to find a way to defeat this evil entity.