"Everyone else will die"
After a girl goes missing, two of her friends and a mysterious set of strangers find themselves drawn to the cabin in the woods where she disappeared. They will laugh, they will drink, they will kiss, they will make love, and THEY MUST ALL DIE.
Nathan Eswine
James
Larissa White
Ashley
Jenna McDonald
Felicity
Brock Russell
Philip
Cameisha Cotton
Lyndsey
Adam Hartley
Pete
Dal Nicole
Kristy
Frankie Ray
Francis
After a girl goes missing, two of her friends and a mysterious set of strangers find themselves drawn to the cabin in the woods where she disappeared. They will laugh, they will drink, they will kiss, they will make love, and THEY MUST ALL DIE.
I felt the first half of the story probably could have just played out as the whole story, rather than the awkward introduction of the redneck B-Team, brought in part way through the second act. Maybe I only was as accepting of _Tonight She Comes_ because of just how **atrocious** the films I watched either side of it were, and I was overly-grateful by comparison, but irrespective of the reasoning, I still thought by the time it was all done that it was... okay. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
_**Well made and haunting, but the last act is needlessly disgusting and boring**_ Two guys and two girls meet at a remote Missouri property where some strange and horrifying things are happening. “Tonight She Comes” (2016) is a proficient Indie horror with a good score and haunting vibe, not to mention the lovely Larissa White as protagonist Ashley. The director doesn’t fail to highlight her beauty (not talkin’ ’bout nudity; he uses another actress for that). Despite a couple cavils (like the idiotic masturbation scene and how Pete wanders through the woods to the exact abode where James is delivering mail), it’s very good for the first two acts, but then it devolves into a dull and gross bloody ritual with the requisite tedious gobbledygook. Then there’s the “shocking” final scene that’s too absurd to be taken seriously (think the eye-rolling ending of “Sharknado”). Nevertheless, the writer/director is clearly talented and will go on to great things if he perseveres. He just needs to work the kinks out of his scripts, like nonsensical or pointless parts. He also needs to grasp that being as disgusting and “shocking” as possible doesn’t make up for compelling storytelling. I should add that this isn’t a comedy/horror, as it’s sometimes listed. There are some amusing antics with the youths partying at the small lake, but it’s otherwise serious horror. The movie runs 1 hour, 24 minutes, and was shot in Missouri. GRADE: C
A woman wakes up injured in a basement surrounded by corpses. To survive, she pretends to be dead while a grotesque ritual unfolds in the house above.
ภูเขาแห่งเงา ปีพ.ศ. 2526 เรดและแมนดี้ใช้ชีวิตอย่างสงบสุขและเปี่ยมไปด้วยความรัก แต่เมื่อที่พักพิงที่เต็มไปด้วยกลิ่นสนของพวกเขาถูกทำลายอย่างโหดร้าย เรดก็ถูกผลักเข้าสู่การเดินทางอันน่าหวาดเสียวที่เต็มไปด้วยความแค้นอันนองเลือดและไฟที่เจือปนอยู่
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ในก้นบึ้งของความหวาดกลัวยุคปัจจุบัน ภาพยนตร์บางเรื่องมีผลกระทบอย่างรุนแรง เช่นในผลงานภาพยนตร์คลาสสิค ปี 1977 ของ เวส คราเว่น เรื่อง The Hills Have Eyes ด้วยความดิบ และเหี้ยมโหดระทึกขวัญอย่างไม่ปราณีในเรื่องราวของครอบครัวหนึ่งซึ่งกำลังอยู่ระหว่างการพักร้อน ที่ต้องเผชิญหน้าการต่อสู้อย่างสิ้นหวังเพื่อเอาชีวิตรอด ในภาพยนตร์ต้นทุนสร้างแสนจะต่ำแต่ไม่มีขีดจำกัดกับรูปแบบที่มาจากแกนเรื่องที่เต็มไปด้วยทั้งเล่ห์กลและความน่าสะเทือนใจอย่างแรงที่จะเขย่าทุกขุมประสาท
ณ เชดี้ไซด์ เมืองต้องสาป มหกรรมเชือดสะเทือนขวัญได้เปลี่ยนค่ายไนต์วิงในฤดูร้อนสุดหฤหรรษ์ให้กลายเป็นเหตุการณ์หนีตายสุดนองเลือด!
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