Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
In an archival interview filmed in 1989, Daniel Gélin discusses his work on Max Ophuls' 1952 film LE PLAISIR.
In an archival interview filmed in 1989, Daniel Gélin discusses his work on Max Ophuls' 1952 film LE PLAISIR.
Daniel Gélin
Self (archive footage)
In an archival interview filmed in 1989, Daniel Gélin discusses his work on Max Ophuls' 1952 film LE PLAISIR.
สารคดีที่เล่าเรื่องราวของเบื้องหลังความเป็นมาของนักเตะดาวดังที่ประสบความสำเร็จมากที่สุดของรุ่น ในยุคที่ฟุตบอลอังกฤษถือเป็นจุดสูงสุด โดยเฉพาะเด็กหนุ่มยอดนักเตะดาวรุ่งพุ่งแรง 6 คนจากชนชั้นกลางที่ได้เข้ามาอยู่ร่วมทีมกันในสโมสร แมนเชสเตอร์ ยูไนเต็ด อันได้แก่ เดวิด เบ็คแฮม, นิคกี้ บัตต์, ไรอัน กิกส์, แกรี่ เนวิลล์, ฟิล เนวิลล์ และ พอล สโคลส์
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
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