Ложь

Drama telling the story of Blue, a young man of Jamaican descent living in Brixton in 1980, as he hangs out with his friends, fronts a dub sound system, loses his job, struggles with family problems and has his friendships tested by racism.

In revolutionary Iran, as fundamentalists tighten their grip on society, a professor secretly gathers seven of her most dedicated female students to read and discuss forbidden classics of Western literature, including Lolita and Pride and Prejudice. Based on the bestselling memoir by Azar Nafisi. A film by Eran Riklis starring Golshifteh Farahani (Paterson), Zar Amir (Holy Spider), and Mina Kavani (No Bears).

An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.

ในปี 1977 เด็กสาวคนหนึ่งถูกจับตัวไปขังไว้ในกล่องขนาดเท่าโลงศพ เมื่อผู้คุมขังปล่อยเธอออกมา ก็มีเพียงการทำร้ายเธออย่างโหดร้าย เธอจะหนีรอดไปได้หรือไม่

Contemporary Russia. After he flubs a penalty kick, a humiliated national soccer player quits the game. He flees to a small town, where he decides to coach their local team.

Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.

On a summer day in late 19th century Russia, a group of bourgeois friends and acquaintances gather at a dilapidated country estate.

Based on the true story of a black girl who was born to two white Afrikaner parents in South Africa during the apartheid era.

In New York City, a young girl is caught in the middle of her parents' bitter custody battle.

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.