Tout s’est bien passé
When her elderly father has a stroke, Emmanuelle rushes to his bedside. Sick and half-paralysed in his hospital bed, he asks Emmanuelle to help him end his life.
When her elderly father has a stroke, Emmanuelle rushes to his bedside. Sick and half-paralysed in his hospital bed, he asks Emmanuelle to help him end his life.
Sophie Marceau
Emmanuèle Bernheim
André Dussollier
André Bernheim
Géraldine Pailhas
Pascale Bernheim
ชาร์ลอตต์ แรมพลิง
Claude de Soria
Éric Caravaca
Serge Toubiana
Hanna Schygulla
Swiss Lady
Grégory Gadebois
Gérard Boisrond
Judith Magre
Simone
Jacques Nolot
Robert, le voisin de chambre
When her elderly father has a stroke, Emmanuelle rushes to his bedside. Sick and half-paralysed in his hospital bed, he asks Emmanuelle to help him end his life.
Questions related to assisted suicide and the right to die have been debated hotly for decades, and proponents on each side of these issues have made passionate arguments for their causes. A number of fine films have addressed these issues, too, such as “Blackbird” (2018), “You Don’t Know Jack” (2010), “Whose Life Is It, Anyway?” (1981) and “The Barbarian Invasions” (2003). And now moviegoers can add the latest offering from writer-director François Ozon to that list. This fact-based drama about an elderly French stroke victim who asks his daughter to help him die examines the subject from a variety of angles, including the legal, medical, emotional and ethical considerations involved in carrying out such a highly charged act, and it does so with a great deal of integrity, authenticity and heartfelt feeling. It’s also one of the finest, most accessible offerings from a filmmaker whose works I believe often leave much to be desired. However, with that said, that’s not to say that this release is without its issues, such as several story threads that don’t feel fully resolved, as well as some occasionally strange camera work and seemingly superfluous narrative elements. Nonetheless, “Everything Went Fine” has much in its favor, including excellent performances by its three principals (Sophie Marceau, André Dussellier and Géraldine Pailhas), a comprehensive script, sustained pacing, well-placed moments of comic relief, and emotional impact without becoming manipulative or schmaltzy. If you can look past this offering’s minor shortcomings, you’ll come away from it having had a moving and insightful cinema experience, as well as a thoughtful meditation on when it’s time to stay and when to go.
Thomas, a blasé young man, spends his nights in clubs and his days in bed. Until his father, Dr. Reinhard, fed up with his son’s escapades, cuts him off completely and forces him to take care of one of his young patients. Mar- cus, 12, was born with a serious congenital disorder. He lives with his mother in the poor suburbs of Paris and spends his days either at the hospital or in a center for sick children. This encounter will disrupt their lives and change them both, profoundly and forever.
A psychotic man opens fire in a diner, murdering numerous people before killing himself. The survivors struggle in different ways following this horrendous event: a doctor doubts his own instincts and elects to use an experimental medical procedure on his wife, while a gambler believes he's on a lucky streak. A waitress begins engaging in promiscuous sex, and a young girl whose father is among the dead gains unexpected fame.
ชายหนุ่มที่มีอนาคตสดใสประสบอุบัติเหตุที่ใกล้ถึงแก่ชีวิตและสร้างชีวิตใหม่ด้วยความช่วยเหลือจากเพื่อนสัตว์ที่ไม่น่าจะเป็นไปได้
French-American artist Niki de Saint-Phalle, from the age of 23, is a model and an aspiring actor who is married and has a two year old daughter. Together, they flee the U.S. during the oppressive McCarthy era and come to France, where they experience a short-lived euphoria. Soon, distant and frightening memories begin to emerge in Niki’s mind. Her vocation as an artist will be her salvation.
Pierre and Paul, journalist and writer respectively, team up to write a screenplay based on the real story of a young woman accused by her uncle of trying to kill him. They decide to meet her.
นักเขียนวัย 50 กว่าที่กำลังประสบปัญหาวัยกลางคนได้ไปขอสุนัขพันธุ์คอลลี่มาเลี้ยง ความสัมพันธ์ของพวกเขากลายมาเป็นมิตรภาพที่มีความหมายและคาดเดาไม่ถึง
Emile is fifteen. He lives in Montargis, between a sweet-crazy father and a mother who has always dyed his hair blond, because, it seems, he is more beautiful like that. When the girl who pleases him more than anything invites him to Venice for the holidays, he is overjoyed. Only problem, his parents decide to accompany him - This is the story of a teenager born into an unclassifiable family, the story of a first love, miraculous and fragile. This is the story of an initiatory and incredible journey where life often takes unawares, but where Venice, it will be at the rendezvous.
Paul is agonising over his interpretation of 'Uncle Vanya' and, paralysed by anxiety, stumbles upon a solution via a New Yorker article about a high-tech company promising to alleviate suffering by extracting souls. He enlists their services—only to discover that his soul is the shape and size of a chickpea.
Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.
Jerry, a misfit Mafia henchman, is assigned the low-level job of keeping an eye on Gino, a shoe repairman fingered by the Mob to confess to a murder he didn't commit. But Gino's mistaken for a Mafia boss, and the two are suddenly catapulted to the highest levels of mobster status. Only friendship will see them through this dangerous adventure alive!