Te vejo de novo
A letter to what has gone before. And to what is to come.
A letter to what has gone before. And to what is to come.
Kely Nascimento
Voz
João Ives
Mãos
Letícia Silva
Letícia Silva
Vinícius Dórea
Olhos
A letter to what has gone before. And to what is to come.
An anonymous love letter left in Michael Ryan's locker on the last day of school wreaks havoc on his life and the lives of everyone who comes in contact with it.
เรื่องราวเกี่ยวกับชีวิตสมัยใหม่และความไม่สมดุลกันอย่างน่าตกใจที่ถูกทำเป็นภาพยนตร์เป็นเรื่องราวแรกในภาพยนตร์ไตรภาคก่อนเรื่องโพวาคัทสึ
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
Mousketeer Jerry has a love letter to deliver to darling Lilli. He gives it to his young pupil, who has a hard time getting past Tom to deliver it, but he does. They send a few more letters back and forth, at great pain to the youngster.
William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.
จะเกิดอะไรขึ้นถ้าหนุ่มๆ ที่เราเคยแอบปิ๊งนั้นดันมารู้ว่าเราคิดอะไรด้วย... แถมรู้พร้อมกันทุกคนเลย ลาร่า จีน ซอง คัฟวีย์เคยใช้ชีวิตแบบแอบฝันไปวันๆ แต่เรื่องกลับชุลมุน เมื่อจู่ๆ มีมือดีแอบส่งจดหมายที่เธอเขียนถึงหนุ่ม 5 คนที่เธอเคยหลงรัก
A group of literature-loving friends bury letters to be opened 10 years later when they will confront the dreams of their youth with what the future has held in store for them.
A young boy fighting cancer writes letters to God, touching lives in his neighborhood and inspiring hope among everyone he comes in contact. An unsuspecting substitute postman, with a troubled life of his own, becomes entangled in the boy's journey and his family by reading the letters. They inspire him to seek a better life for himself and his own son he's lost through his alcohol addiction.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
Neto is a middle class teenager living a normal life. After his father finds a marijuana cigarette on his pocket, he is sent to a mental institution, where he gets to know a completely absurd and inhumane reality in which people are devoured by a corrupt and cruel system.