It is said that the last visions and images in the dying moments of humans and animals are captured and saved in their eyes... In "The Lost Landscape," the camera tracks the journey of shadows in the eyes of stuffed animals on display in natural history museums. Passing shapes, images of the changing world... Awaking, dreaming, the other side–each pattern is like a visual system projected through a kaleidoscope… [Overview courtesy of Truong Cong Tung]
It is said that the last visions and images in the dying moments of humans and animals are captured and saved in their eyes... In "The Lost Landscape," the camera tracks the journey of shadows in the eyes of stuffed animals on display in natural history museums. Passing shapes, images of the changing world... Awaking, dreaming, the other side–each pattern is like a visual system projected through a kaleidoscope… [Overview courtesy of Truong Cong Tung]
High school loner Bird Fitcher has no idea what dark secrets are tied to the mysterious Polaroid vintage camera she stumbles upon, but it doesn't take long to discover that those who have their picture taken meet a tragic end. Bird and her friends must survive one more night as they race to solve the mystery of the haunted Polaroid before it kills them all.
Five men wake up in a locked-down warehouse with no memory of who they are. They are forced to figure out who is good and who is bad to stay alive.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
สาวน้อยนักผจญภัย ซึ่งใช้ชีวิตอยู่กับครอบครัวนักสำรวจในป่า แล้วย้ายเข้ามาเรียนมัธยมปลายในเมือง เธอเข้าสู่การผจญภัยครั้งใหม่พร้อมกับ “บูตส์” ลิงเพื่อนรัก, ดีเอโก (เจฟฟรีย์ วอห์ลเบิร์ก), บุคคลลึกลับที่อยู่ในป่า (ยูเฮนิโอ เดอเบซ) และกลุ่มวัยรุ่น เพื่อช่วยพ่อแม่ของเธอ (อีวา ลองโกเรีย และไมเคิล พีนา) และไขปริศนาของเมืองทองคำที่สาบสูญ
This Lost World is a splendid BBC TV dramatisation of Sir Arthur Conan Doyle's famous adventure story. Bob Hoskins makes an unusually genial Professor Challenger, far less of a bully than Doyle's character, but his slightly stereotyped companions are nicely filled out by a solid cast. James Fox is Challenger's more timid but still covertly adventurous rival, Tom Ward is the moustachioed big game hunter who faces an Allosaurus with an elephant gun, and Matthew Rhys plays the tagalong reporter hoping to impress his faithless fiancée.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
เรื่องราวเกี่ยวกับชีวิตสมัยใหม่และความไม่สมดุลกันอย่างน่าตกใจที่ถูกทำเป็นภาพยนตร์เป็นเรื่องราวแรกในภาพยนตร์ไตรภาคก่อนเรื่องโพวาคัทสึ
Years spent recording footage of creatures from every corner of the globe is bound to produce a bit of drama. Here's a behind-the-scenes look.