8.15から

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

Naruto faces off against his old pupil Konohamaru in a tournament during the chuunin entrance exams.

Stan and Ollie join the French Foreign Legion after Ollie's sweetheart rejects him.

Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.

"ฮาดาชิ" (มาริกะ อิโตะ) เด็กมัธยมที่รสนิยมการดูหนังไม่เหมือนใคร ในขณะที่สมาชิกคนอื่นของชมรมภาพยนตร์อยากทำหนังรักโรแมนติก ฮาดาชิใฝ่ฝันอยากทำหนังซามุไร วันหนึ่งเธอไปเจอ "รินทาโร" ชายหนุ่มท่าทางประหลาดๆ ที่หน่วยก้านน่าจะเล่นหนังพีเรียดได้ เธอจึงชวนเขามาเป็นนักแสดงในหนังของตนเอง พร้อมกับลากเพื่อนซี้จำนวนหนึ่งมาเป็นทีมงานในกองถ่าย ไปๆ มาๆ เธอก็พบว่ารินทาโรคือซามุไรจริงๆ ที่เดินทางข้ามเวลามา

โนบิตะและชิซุกะถ่ายหนังแล้วไปพบกับมนุษย์ต่างดาวตัวจิ๋ว

An urban office worker finds that paper airplanes are instrumental in meeting a girl in ways he never expected.

While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.

Kiyoha rises from the lowly courtesan ranks to the high class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleased.