Oh pardon ! Tu dormais...

A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the help of a well off lady, first for her survival-her resurrection-then for her dignity and freedom. Stormy encounters for everyone involved.

เฮเลน มีร์เรนรับบทแม่ผู้ฉลาดหลักแหลมที่กำลังป่วย ซึ่งวางแผนอำลาครั้งสุดท้ายตามเงื่อนไขของเธอเอง ในภาพยนตร์สะเทือนอารมณ์ ฝีมือการกำกับเรื่องแรกของเคท วินสเล็ต

Raf and Julie, a couple on the verge of breaking up, find themselves in an emergency ward bordering on collapse on the evening of a Parisian Yellow Vest protest. Their encounter with Yann, an angry and injured demonstrator, will shatter each person's certainties and prejudices. Outside, the tension escalates.

Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history.

Jo, the mother of seven children, divorces her second husband in order to marry Jake, a successful but promiscuous screenwriter. Though they are physically and emotionally compatible, they are slowly torn apart.

A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.

Lebanon, 1982. To keep a promise made to an old friend, Georges, an idealistic theater director, travels to Beirut for a project as utopian as it is risky: to stage the play Antigone on the front line, in order to steal a moment of peace from the raging civil war. The characters will be played by actors from different political and religious camps. Lost in a city and a conflict he knows nothing about, Georges is guided by Marwan. As fighting resumes, everything is soon called into question, and Georges, who falls in love with Imane, has to face up to the reality of war.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

คลาริสส์ (วิคกี้ ครีปส์) ผู้หญิงที่หนีจากครอบครัวด้วยเหตุผลที่ไม่ชัดเจน ภาพเหมือนของหญิงสาวที่ตกอยู่ในภาวะวิกฤตที่แยบยลและกล้าหาญนี้สลับไปมาระหว่างการผจญภัยบนท้องถนนของคลาริสส์ และภาพของมาร์คสามีที่ถูกทอดทิ้งของเธอ (อาเรียห์ วอร์ธาลเตอร์) ในขณะที่เขาต้องดิ้นรนเพื่อดูแลลูก ๆ ของพวกเขาที่บ้าน

In New York City, a young girl is caught in the middle of her parents' bitter custody battle.