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Das wirst du nie verstehen

Anja Salomonowitz portrays three women from her family who were still almost girls during the Nazi era. They stood on different sides, present history differently today, and belong to different memory collectives: her great-aunt survived Auschwitz. Her nanny was a socialist and supported her uncle in the resistance. Her grandmother lived in Graz during the war and did what most people did: nothing. The film confronts family narratives, examines the aftermath of history and the mechanisms of its transmission. Preceded by a work by Linda Christanell – "composed of fragments of reality and assembled into a new space."

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Anja Salomonowitz portrays three women from her family who were still almost girls during the Nazi era. They stood on different sides, present history differently today, and belong to different memory collectives: her great-aunt survived Auschwitz. Her nanny was a socialist and supported her uncle in the resistance. Her grandmother lived in Graz during the war and did what most people did: nothing. The film confronts family narratives, examines the aftermath of history and the mechanisms of its transmission. Preceded by a work by Linda Christanell – "composed of fragments of reality and assembled into a new space."

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When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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