Towards the end of the Showa era, Wako, the number one hostess working at a snack bar, gets into an accident and wakes up in Kabukicho in the Reiwa era. She is scouted and starts working at a cabaret club. She teaches the unprofessional cabaret girls of today about the determination and sex appeal of a woman, and aims to become the top again herself. Starring the dynamite and beautiful-bodied Kyoko Maki!
真木今日子
西村ニーナ
八ッ橋さい子
Ken Nojiri
竹本泰志
里見瑤子
Towards the end of the Showa era, Wako, the number one hostess working at a snack bar, gets into an accident and wakes up in Kabukicho in the Reiwa era. She is scouted and starts working at a cabaret club. She teaches the unprofessional cabaret girls of today about the determination and sex appeal of a woman, and aims to become the top again herself. Starring the dynamite and beautiful-bodied Kyoko Maki!
Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Aldin, a vagabond water vendor, embarks of a series of fantastical and tragic misadventures through the Middle East in search of love, fortune, and power.
สารคดีที่แหวกทุกกฎเกณฑ์ในเทศกาลภาพยนตร์ซันแดนซ์ปี 2015 ฝีมือผู้อำนวยการสร้างราชิดา โจนส์ ฉายภาพอุตสาหกรรมหนังลามก "สมัครเล่น" และหญิงสาวที่ถูกล่อลวง
A disillusioned filmmaker has an encounter with a young woman who has a ritual of repeating "Tomorrow is my birthday" everyday. He tries to communicate with her through his video camera.
Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
Love is blooming at Sakuragaoka High School. Natsuki Enomoto has finally mustered the courage to confess to her childhood friend, Yuu Setoguchi. However, in the final moments of her confession, an embarrassed Natsuki passes it off as a "practice confession." Oblivious to her true feelings and struggling with his own, Yuu promises to support Natsuki in her quest for love. While Natsuki deals with her failed confession, fellow classmate Koyuki Ayase struggles with his own feelings for Natsuki. Despite his timidness, he is determined to win over her heart. This movie follows Natsuki as she dreams of one day ending her practices and genuinely confessing to Yuu. Meanwhile, close friends also find themselves entangled in their own webs of unrequited love and unspoken affections.
เด็กสาววัยรุ่นสองคนกลายมาเป็นเพื่อนแท้ที่ผูกพันเหมือนพี่น้องในช่วงหน้าร้อน แต่มีปัญหาอยู่หนึ่งอย่าง คือหนึ่งในนั้นกำลังคบกับแฟนเก่าของอีกฝ่าย
Rei is a college student in the midst of finding a job. She confesses her love to Mikio, a senior whom she admires. Mikio soon demands that she perform perverted acts.