Komang

Name: Komang
Director: Naya Anindita
Genre: หนังชีวิต, หนังรักโรแมนติก
Released: 2025-03-31
Duration: 1 h 47 min
Rating: 7.3
Cast: Aurora Ribero, Kiesha Alvaro, Adzando Davema, Ayu Laksmi, Arie Kriting

Fate brought together Ode, a young man from Buton with big dreams, and Ade, a wanderer from Bali. Like two souls in love, they believed that fate would one day unite them. However, their journey was hindered by the presence of another man who shared the same faith as Ade, and Ode had to go to Jakarta to pursue his dreams. Will fate ultimately bring Ode and Ade together?

รับชมตอนนี้ ดูตัวอย่าง

นักแสดงนำ

Aurora Ribero

Komang
Kiesha Alvaro

Raim Laode
Adzando Davema

Arya
Ayu Laksmi

Meme
Arie Kriting

Boy
Cut Mini

Ode's Mother
Mathias Muchus

Ode's Father
Arman Dewarti

Father Two
Neneng Wulandari

Ola

เรื่องย่อ

คะแนน

7.3 / 10

9 รีวิว

1 ยอดนิยม

1 รีวิว

Call Me Dunham
7 15 ธ.ค. 2568

Overall, this film feels quite clichéd, both in its story and execution. There are many moments that feel off, especially in the way the supporting characters are written. One clear example is Arya, who comes across as nothing more than a narrative device—someone who exists simply to give Raim an obstacle to overcome. Beyond that, his character doesn’t really go anywhere. As a result, Arya feels insignificant, especially when the real barrier to the relationship is actually religion. His character could have been explored more deeply, rather than just being portrayed as another man in love with Komang and a hindrance to Raim. Another major issue appears in the third act, which feels extremely rushed. One moment that stands out is when Komang suddenly decides not to go through with the marriage, justified only by the film stating that she “doesn’t love him.” I think this decision needed a much stronger build-up—whether through showing Arya’s struggle more clearly or developing Komang’s internal conflict—so her choice would feel earned and emotionally convincing. Because this part is underdeveloped, the audience’s empathy toward the characters becomes shaky and unfocused. Visually, several shots also feel ineffective. Many scenes come across as merely documenting events rather than telling a story or carrying emotional weight. That said, the film isn’t outright bad. It just feels undercooked in many areas, with several elements that could have worked much better if they had been developed and polished more carefully.