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For decades, Mart’s life revolved mainly between his radio work and the iconic Valli Bar. Now, in his later years, he lives in a care home, having spent the last three years battling Ataxia. Smoking remains one of the few pleasures he still has. “If I didn’t smoke, I wouldn’t even have a reason to get out of bed,” he says. Reaching the designated smoking area is a major effort — it takes him about 20 minutes to shuffle down the corridor with five-centimeter steps, turning corners, and taking breaks. But once there, under the sky, Mart shares his story with biting humor and sharp wit. His greatest wish? To visit Valli Bar one last time — the place where he once met the love of his life.

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For decades, Mart’s life revolved mainly between his radio work and the iconic Valli Bar. Now, in his later years, he lives in a care home, having spent the last three years battling Ataxia. Smoking remains one of the few pleasures he still has. “If I didn’t smoke, I wouldn’t even have a reason to get out of bed,” he says. Reaching the designated smoking area is a major effort — it takes him about 20 minutes to shuffle down the corridor with five-centimeter steps, turning corners, and taking breaks. But once there, under the sky, Mart shares his story with biting humor and sharp wit. His greatest wish? To visit Valli Bar one last time — the place where he once met the love of his life.

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จอห์น แคนดี้: ผมชอบตัวเอง

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จอห์น แคนดี้: ผมชอบตัวเอง

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When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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