"The past is not another country"
Using found footage from the colonial archives of British Mandate Palestine (1917 – 1948) and audio recordings of Palestinian refugees in Lebanon, Partition brings forth histories that have long existed at the margins. Co-director of the Nakba Archive, Diana Allan, re-photographs colonial found footage on 16mm to powerfully resituate Palestinian presence through story, voice and song.
Amal Kaawash
Sumaya F.
Mohammed F.
Using found footage from the colonial archives of British Mandate Palestine (1917 – 1948) and audio recordings of Palestinian refugees in Lebanon, Partition brings forth histories that have long existed at the margins. Co-director of the Nakba Archive, Diana Allan, re-photographs colonial found footage on 16mm to powerfully resituate Palestinian presence through story, voice and song.
Produced and presented as evidence at the Nuremberg war crimes trial of Hermann Göring and twenty other Nazi leaders, this film consists primarily of dead and surviving prisoners and of facilities used to kill and torture during the World War II.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
เกิดอะไรขึ้นเมื่อไอน์สไตน์ออกจากนาซีเยอรมนี? อัลเบิร์ต ไอน์สไตน์ นักฟิสิกส์ชาวเยอรมันอายุ 66 ปีเมื่อระเบิดปรมาณูถูกทิ้งลงที่เมืองฮิโรชิม่าเมื่อวันที่ 6 สิงหาคม 1945 สิบปีต่อมา จนกระทั่งเขาเสียชีวิต เขาเต็มไปด้วยความรู้สึกผิดและสำนึกผิด ในปี 1939 เขาได้ส่งจดหมายถึงแฟรงคลิน ดี. โรสเวลต์ ซึ่งช่วยโน้มน้าวให้สหรัฐอเมริกาเข้าร่วมการแข่งขันอาวุธนิวเคลียร์ สารคดีเรื่องนี้วิเคราะห์จิตใจของอัจฉริยะผู้ถูกทรมานโดยการตรวจสอบคำพูดและถ้อยแถลงของเขาเอง รวมถึงภาพจากคลังเอกสาร.
Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.
This documentary explores the mystery surrounding the death of movie icon Marilyn Monroe through previously unheard interviews with her inner circle.
In this documentary, recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it therefore to be his rightful property.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".