In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.
Lee Mun Wah
Self
Roberto Almazán
Self
David Christensen
Self
Gordon Clay
Self
Victor Lewis
Self
Loren Moye
Self
Yutaka Matsumoto
Self
Hugh Vasquez
Self
In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.
Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
In 1936, Victor H. Green (1892-1960) published The Negro Motorist Green Book, a book that was both a travel guide and a survival manual, to help African-Americans navigate safe those regions of the United States where segregation and Jim Crow laws were disgracefully applied.
ในผลงานกำกับภาพยนตร์ขนาดยาวเรื่องแรก มาริสกา ฮาร์กิเทย์พาผู้ชมย้อนรอยเรื่องราวของแม่ของเธอเป็นครั้งแรก เจน แมนส์ฟีลด์ ตำนานฮอลลีวู้ดผู้จากไปอย่างน่าเศร้าเมื่อเกือบหกทศวรรษก่อน การค้นหาครั้งนี้คือการตามหา “แม่” ที่เธอไม่เคยได้รู้จัก
ภาพจากกล้องติดตัวของตำรวจเผยเหตุบาดหมางระหว่างเพื่อนบ้านที่บานปลายจนมีคนตาย ในสารคดีเกี่ยวกับความกลัว อคติ และกฎหมายยืนหยัดสู้ที่อนุญาตให้บุคคลใช้กำลังเพื่อปกป้องตนเอง
Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
นักทำสารคดีชื่อดังจะพาทุกคนไปเปิดโลกของ "ชายแท้สุดโต่ง" สำรวจเครือข่ายที่เติบโตขึ้นเรื่อยๆ รวมทั้งบรรดาอินฟลูเอนเซอร์ชื่อฉาว และเจาะลึกเรื่องราวจากวงในแบบไม่มีกั๊ก
A documentary about the life and films of director John Ford.