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M.A.R.Y

MARY is a short film co-devised by filmmakers four directors from Royal College of Art and GPT-2, an AI text generator deemed ‘too dangerous’ for full release to the public. When GPT-2 responds to a series of model prompts, it generates dramatically suggestive scenes that are rife with gender biases. But what also emerges is MARY, a character who wrestles GPT-2 for control of her story and the languages used to tell it. ‘Comic, bizarre and (at times) quietly terrifying,’ MARY aims to rewrite the dominant narratives produced by and around emerging technologies like AI.

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MARY is a short film co-devised by filmmakers four directors from Royal College of Art and GPT-2, an AI text generator deemed ‘too dangerous’ for full release to the public. When GPT-2 responds to a series of model prompts, it generates dramatically suggestive scenes that are rife with gender biases. But what also emerges is MARY, a character who wrestles GPT-2 for control of her story and the languages used to tell it. ‘Comic, bizarre and (at times) quietly terrifying,’ MARY aims to rewrite the dominant narratives produced by and around emerging technologies like AI.

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1

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

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6.7 2020