마차 타고 고래고래

Dreaming of making a way station for his sister and the villagers who have no choice but to commute along the dangerous train tracks every day, Joon-kyung sends many letters to the President, but with no reply. Ra-hee, who has a crush on Joon-kyung, does everything she can to help him meet the President.

พี่น้องฝาแฝดคู่หนึ่งจากอีสต์แอล.เอ. เลือกที่จะใช้ชีวิตแตกต่างไปจากเดิมและลงเอยอยู่คนละฝั่งของกฎหมาย

Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.

Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.

Drama telling the story of Blue, a young man of Jamaican descent living in Brixton in 1980, as he hangs out with his friends, fronts a dub sound system, loses his job, struggles with family problems and has his friendships tested by racism.

Film producer Na-eun and director Yeong-tae are on the verge of shelving out cash for an adult film production. They're too busy blaming each other for the messed-up filming. Before another filming begins, Na-eun suggests Yeong-tae to become an actor himself and practice filming. Na-eun leads the shy Yeong-tae very skillfully. How far will the practice go...?

Returning home and finding his town drastically changed, a former soldier falls in with gangsters.

พ่อวัยหนุ่มได้กลับบ้านหลังจากติดคุก เขามีความกระตือรือร้นที่จะดูแลลูกชายและผันตัวมาเป็นนักเขียน แต่อาชญากรรม ความยากจน และระบบที่บกพร่องเป็นอุปสรรคต่อแผนของเขา

She has never lived in a high-rise apartment, and she wonders how her sister can live at this height every day. A few days ago she kind of burst in to stay with her sister, and she is now becoming re-accustomed to life in Korea. While seeming to keep a grave secret to herself, she manages life one day at a time with a sense of mindfulness. Meanwhile a certain director, some years younger than her, has asked her to join his project, and after a polite refusal, they have agreed to meet for the first time today. Downtown Seoul is filled with narrow alleys that harbor tiny old bars, and that's where they meet. As they are getting drunk, there is sudden rainfall and thunder.

Ahreum sits in a small café, typing on her laptop. Around her, customers enact various dramas from their lives. Is she writing what she hears or is she hearing what's been written?