All of the three [Sandy] films that we know – Lumière et ombre (1928), Prétexte (1928), and Essais cinematographiques (1928) – last barely more than ten minutes in total, but bear witness to a certain originality in the context of the French avant-garde of the 1920s. The films were subtitled by Sandy as "Visual Entertainment".
All of the three [Sandy] films that we know – Lumière et ombre (1928), Prétexte (1928), and Essais cinematographiques (1928) – last barely more than ten minutes in total, but bear witness to a certain originality in the context of the French avant-garde of the 1920s. The films were subtitled by Sandy as "Visual Entertainment".
After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.
Anne-Marie Stretter, the wife of a French diplomat in 1930s India, takes many lovers to relieve the boredom in her life.
To save his career, an ad man wants a sex symbol to endorse a lipstick but in exchange, she wants him to pretend to be her lover.
Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
Mal emerges from the shadows of a mystical forest onto a dark coastline where she crosses paths with Dizzy.
Fourteen years after the events of the original film, a series of encounters between people in Britain reminds us that in these different times Love, actually exists.
Chloé, a fragile young woman, falls in love with her psychoanalyst, Paul. A few months later she moves in with him, but soon discovers that her lover is concealing a part of his identity.
Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.
After a daring heist at a museum, the youngest member of the villainous Nelson family, Binky, realizes he's left behind his beloved pacifier. Determined to retrieve it, Binky embarks on an adorable and hilarious mission to recover his prized possession.