Florence wants to introduce David, the man she’s madly in love with, to her father Guillaume. But David isn’t attracted to Florence and wants to throw her into the arms of his friend Willy. The four characters meet in a restaurant in the middle of nowhere.
เลอา แซดู
Florence Drucker
Louis Garrel
David
Vincent Lindon
Guillaume Tardieu
Raphaël Quenard
Willy
Manuel Guillot
Stéphane Jouvet
Laurent Nicolas
A.I. Avatar
Françoise Gazio
Intriguing Extra 1
Valérie Vogt
Agent
Hélène Alexandridis
Florence's Mom
Florence wants to introduce David, the man she’s madly in love with, to her father Guillaume. But David isn’t attracted to Florence and wants to throw her into the arms of his friend Willy. The four characters meet in a restaurant in the middle of nowhere.
Louis Garrel can’t really do wrong in my book, but in this rather daft comedy I thought his thunder rather effectively stolen by Raphaël Quenard and by Manuel Guillot. “David” (Garrel) and his best pal “Willy” (Quenard) are walking to a restaurant rendezvous with a girl whom the former man is trying to palm off on the latter. “Willy” is somewhat sceptical of this largesse and assumes that she has two heads, or perhaps a few additionally unwelcome appendages, but “David” insists she’s the real deal. Walking to the restaurant from the other direction is said girl and her father. “Florence” (Léa Seydoux) and “Guillaume” (Vincent Lindon) are having as equally an animated conversation and so we are set for a lively lunch. It turns out that she has no idea that “Willy” is coming and pretty swiftly he and her dad are at loggerheads. An incident between the two men causes a break in the proceedings that allows the hyper-nervous waiter “Stéphane” (Guillot) to appear at their table with a bottle of wine, four glasses and a great deal of spillage. It is at this point that we discover that just about nothing we have seen so far is the truth - but what really is going on in the "Café deuxième acte”? The dialogue is quick-fire, ripe and enjoyably unpolitically correct to the point that it clearly illustrates through parody the ridiculousness of over-proscribing what we say and how we say it. It also takes a poke at those who think you must “be” the character you are playing rather than actually engaging in some acting to become something that perhaps you’re not. Finally, there’s a lovely dig at AI and the horrendous concept of automated film-making that ensures creativity, spontaneity and craft are subsumed efficiently by coding and more coding. It’s a fun eighty minute watch that packs quite a lot in, and I enjoyed it.
![Trailer [Subtitled]](https://i.ytimg.com/vi_webp/s8lLhVBMBoc/hqdefault.webp)
When George and her colleagues get a new boss whose focus is on moving souls quickly and enjoying life without consequences, the team begins to break the strict reaper rules. While her friends fall victim to their desires for money, success, and fame, George breaks another rule by revealing her true identity to her living family.
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ไมเคิล นิวแมนซึ่งทำงานหนักหามรุ่งหามค่ำได้เจอรีโมทคอนโทรลอเนกประสงค์ซึ่งทำให้เขาสามารถควบคุมเหตุการณ์ในชีวิตจริงให้หยุดชั่วคราวหรือเดินหน้าไปได้อย่างรวดเร็ว
When seventeen-year-old Hannah stumbles upon a website about Thinspiration--an online community devoted to anorexia as a life choice--she becomes an obsessive follower of the site founder, ButterflyAna. By the time Hannah's family realizes what is happening and get Hannah the help she needs, the disease has fully taken hold and Hannah is refusing to eat. Will this family be able to exorcise the demon of anorexia from their lives?
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A woman watches time pass beside the suitcases of her ex-lover (who is supposed to come pick them up but never arrives) and a restless dog who doesn't understand that his master has abandoned him.
Fred Bartel is the charismatic boss of a trendy Parisian communication agency, Happy Few. After a heated tax audit, he was forced by the administration to relocate overnight his company in La Courneuve. Fred and his team meet Samy, a young suburb who will quickly propose to teach them the rules and practices to adopt in this new environment.
เมื่อเคนหายไปและคณะละครสัตว์ดิจิทัลมืดลง บรรดานักแสดงต้องเผชิญกับความผิดพลาดและบาดแผลในอดีตของตัวเองอย่างโดดเดี่ยว เมื่อความเป็นนิรันดร์เริ่มปิดล้อมพวกเขา พวกเขาได้ค้นพบความจริงเกี่ยวกับ Digital Circus และประวัติศาสตร์ของมัน พวกเขาจะยอมรับสิ่งที่ค้นพบได้หรือไม่ หรือพวกเขาจะเลือก… ทางเลือกอื่น? และแน่นอนว่าน่าจะมีบางช่วงที่ใครสักคนพูดอะไรตลก ๆ บ้าง เพราะตอนจบนี้จะหดหู่ขนาดนั้นได้ยังไงกันล่ะ?
ดอกเตอร์ วิล แคสเตอร์ (จอห์นนี เดปป์) คือนักวิทยาศาตร์ผู้เป็นหัวหน้าทีมวิจัยที่ศึกษาค้นคว้าเกี่ยวกับปัญญาประดิษฐ์ หรือ Artificial Intelligence พวกเขามีเป้าหมายในการสร้างเครื่องจักรที่มีความรู้สึกนึกคิดแบบมนุษย์และยังรวบรวมเอาความอัจฉริยะ ความรู้ทั้งหมดที่เคยมีมาไว้ในเครื่องนี้เครื่องเดียว การทดลองของพวกเขากลายเป็นที่ถกเถียงอย่างมากและทำให้วิลกลายเป็นบุคคลที่มีชื่อเสียง แต่ทว่า ความโด่งดังที่เขาได้รับก็เป็นเหมือนดาบสองคม เพราะมันทำให้เขากลายเป็นเป้าหมายหลักของกลุ่มนักเคลื่อนไหวหัวรุนแรงที่ต่อต้านเทคโนโลยี หรือ ริฟท์ (RIFT) ซึ่งพร้อมที่จะทำทุกวิถีทางเพื่อหยุดวิลให้ได้
When 43-year-old hairdresser Suze Trappet finds out that she's seriously ill, she decides to go looking for a child she was forced to abandon when she was only 15. On her madcap bureaucratic quest she crosses paths with JB, a 50-year-old man in the middle of a burnout, and Mr. Blin, a blind archivist prone to overenthusiasm. The unlikely trio set off on a hilarious and poignant helterskelter journey across the city in search of Suze's long-lost child.