George & Martha Revisited Backdrop Blur
George & Martha Revisited Poster
United States
ไม่มีเรตติ้ง 0h 8m

George & Martha Revisited

Still images of action and gesture from Mike Nichols’ WHO’S AFRAID OF VIRGINIA WOOLF? are used to transform Edward Albee’s characters into the haunting shells of people they have become. To achieve this stunning effect, Boyer re-photographed the entire feature using a specially made camera that slowly recorded images off of the screen. This one minute of film was then expanded to eight minutes, resulting in a re-examination of the entire structure of a feature film – dramatic line, duration relationships and a particulate disassembly of the frames themselves.

รับชมตอนนี้

นักแสดงนำ

เรื่องย่อ

Still images of action and gesture from Mike Nichols’ WHO’S AFRAID OF VIRGINIA WOOLF? are used to transform Edward Albee’s characters into the haunting shells of people they have become. To achieve this stunning effect, Boyer re-photographed the entire feature using a specially made camera that slowly recorded images off of the screen. This one minute of film was then expanded to eight minutes, resulting in a re-examination of the entire structure of a feature film – dramatic line, duration relationships and a particulate disassembly of the frames themselves.

คะแนน

ไม่มีเรตติ้ง / 10
0 รีวิว
0 ยอดนิยม

ภาพยนตร์แนะนำ

The Pointer

Mickey and Pluto go hunting for quail. Pluto scares away the first ones they see; Mickey scolds him, then relents. He shows Pluto how to be a pointer, and they set off after another quail, but Mickey accidentally jumps on a bear's nose, and thinks it's Pluto. Meanwhile, Pluto finds the quail and points. The babies climb on board and start picking at his hairs, but Pluto's been told not to move. Mickey finally comes across Pluto, who by now is covered by small animals, and realizes he's being followed by a bear. Mickey tries to reason with the bear, and backs off a cliff, onto Pluto.

The Pointer

6.1 1939