Gordo Puto, Amén Backdrop Blur
Gordo Puto, Amén Poster
United States
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Gordo Puto, Amén

Following Franco Pastura, the story is structured in two defined chapters: "Gordo puto" and "Amen". Through his register style, the director integrates himself into the story as a witness of the most intimate part of the protagonist's life. It is there where his affections coexist, in a sort of harmonious contradiction: gay-bearing activism and the everyday family life of Italian-Catholic ancestry. For its part, the music becomes the voice of what is not said by the characters' actions.

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Following Franco Pastura, the story is structured in two defined chapters: "Gordo puto" and "Amen". Through his register style, the director integrates himself into the story as a witness of the most intimate part of the protagonist's life. It is there where his affections coexist, in a sort of harmonious contradiction: gay-bearing activism and the everyday family life of Italian-Catholic ancestry. For its part, the music becomes the voice of what is not said by the characters' actions.

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Nothing Personal

Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.

Nothing Personal

6.5 2009