The films of Oguchi Yoko are extremely personal. In addition, Oguchi herself has a special personality that makes her films very special. She is an outspoken masochist and experiments in life and work with her sexual proclivities. She can get surprised about what people think is normal in the field of love and could find little understanding for her own norms. That's why she made a film about it.
Yoko Oguchi
herself
The films of Oguchi Yoko are extremely personal. In addition, Oguchi herself has a special personality that makes her films very special. She is an outspoken masochist and experiments in life and work with her sexual proclivities. She can get surprised about what people think is normal in the field of love and could find little understanding for her own norms. That's why she made a film about it.
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.
A young Japanese woman named Yoko finds her cautious and insular nature tested when she travels to Uzbekistan to shoot the latest episode of her travel variety show.
Kiyoha rises from the lowly courtesan ranks to the high class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleased.
Tokyo schoolgirl Hiromi and her friends engage in a practice known as enjo kosai, or "compensated dating", where older men pay young girls for dates. Hiromi plunges deeper into this world to raise money for an expensive ring.
Ocho is accidentally captured by a drug trafficking cartel who use Chinese women to smuggle drugs into Japan by hiding it in their vaginas. She is tortured, and manages to escape, fighting both the male yakuzas and a gang of female thieves.
An effervescent musical about one of the most unlikely couples seen on screen: two Otaku intent on hiding their nerdiness from their colleagues!
Saya Suzuki is an ordinary employee working at a hotel. She falls in love with her elite boss Susumu Tsuge. Through their romance, Saya Suzuki grows as a person.
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
An American journalist travels through 19th-century Japan to find the prostitute he fell in love with but instead learns of the physical and existential horror that befell her after he left.