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むかしの農業

A documentary made at the very end of the Showa era, looking back at traditional agricultural models as they still existed at the beginning of this same era (in the 1930s). A working year is recreated in Kanegasaki (Iwate Prefecture, Tohoku region). From "threshing the paddy fields" with a hoe in April to "filling the ground with barley" in April of the following year, this film photographs seasonal agricultural work and crops such as hemp and chestnuts, showing how the ancestors were engaging their all bodies and using their ingenuity to cultivate. In order to transmit the spirit of their devotion to the earth to future generations, this documentary film faithfully reproduces and records the agricultural tools, the cultivation of rice, wheat and soybeans of yesteryear, which are on the verge of being forgotten.

นักแสดงนำ

  • 内藤武敏

    内藤武敏

    Narrator

เรื่องย่อ

A documentary made at the very end of the Showa era, looking back at traditional agricultural models as they still existed at the beginning of this same era (in the 1930s). A working year is recreated in Kanegasaki (Iwate Prefecture, Tohoku region). From "threshing the paddy fields" with a hoe in April to "filling the ground with barley" in April of the following year, this film photographs seasonal agricultural work and crops such as hemp and chestnuts, showing how the ancestors were engaging their all bodies and using their ingenuity to cultivate. In order to transmit the spirit of their devotion to the earth to future generations, this documentary film faithfully reproduces and records the agricultural tools, the cultivation of rice, wheat and soybeans of yesteryear, which are on the verge of being forgotten.

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ภาพยนตร์แนะนำ

The Pornographers

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

The Pornographers

7.2 1966
High and Low

คิงโกะ กอนโด ประธานบริษัทผลิตรองเท้า กำลังวางแผนซื้อหุ้นเพื่อควบคุมกิจการ แต่แล้วเขากลับได้รับโทรศัพท์ขู่กรรโชก โดยคนร้ายอ้างว่าจับตัวลูกชายของเขาไปเรียกค่าไถ่ ทว่าความจริงปรากฏว่าเด็กที่ถูกจับคือลูกชายของคนขับรถของเขา กอนโดต้องเลือกระหว่างอนาคตของบริษัทกับชีวิตของเด็กชาย ท่ามกลางความกดดันและการสืบสวนของตำรวจ

High and Low

8.4 1963