Beatriz Mira, a Brazilian filmmaker living in Mexico, films the housework carried out by women at the end of a decade marked by numerous political and social movements, including feminist groups that disputed the fact that women had been banished from the public sphere, and thus confined to the household. In their fights and debates, they wielded the motto ‘what’s personal is political’.
Beatriz Mira, a Brazilian filmmaker living in Mexico, films the housework carried out by women at the end of a decade marked by numerous political and social movements, including feminist groups that disputed the fact that women had been banished from the public sphere, and thus confined to the household. In their fights and debates, they wielded the motto ‘what’s personal is political’.
ในผลงานกำกับภาพยนตร์ขนาดยาวเรื่องแรก มาริสกา ฮาร์กิเทย์พาผู้ชมย้อนรอยเรื่องราวของแม่ของเธอเป็นครั้งแรก เจน แมนส์ฟีลด์ ตำนานฮอลลีวู้ดผู้จากไปอย่างน่าเศร้าเมื่อเกือบหกทศวรรษก่อน การค้นหาครั้งนี้คือการตามหา “แม่” ที่เธอไม่เคยได้รู้จัก
สารคดีที่เล่าเรื่องราวของเบื้องหลังความเป็นมาของนักเตะดาวดังที่ประสบความสำเร็จมากที่สุดของรุ่น ในยุคที่ฟุตบอลอังกฤษถือเป็นจุดสูงสุด โดยเฉพาะเด็กหนุ่มยอดนักเตะดาวรุ่งพุ่งแรง 6 คนจากชนชั้นกลางที่ได้เข้ามาอยู่ร่วมทีมกันในสโมสร แมนเชสเตอร์ ยูไนเต็ด อันได้แก่ เดวิด เบ็คแฮม, นิคกี้ บัตต์, ไรอัน กิกส์, แกรี่ เนวิลล์, ฟิล เนวิลล์ และ พอล สโคลส์
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Behind the scenes look at fight choreography and action training.