Campo Backdrop Blur
Campo Poster
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Campo

"Campo" shows a simple action, with a single take and without editing, of a gesture of moving, continuously and with the tip of a finger, the limits and imaginary lines - meridians and diagonals - implied in the dimensionality of the video monitor itself. "Campo" is the first video made by the artist, as part of her initial forays into video art, carried out at MAC USP, between 1976 and 1978.

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เรื่องย่อ

"Campo" shows a simple action, with a single take and without editing, of a gesture of moving, continuously and with the tip of a finger, the limits and imaginary lines - meridians and diagonals - implied in the dimensionality of the video monitor itself. "Campo" is the first video made by the artist, as part of her initial forays into video art, carried out at MAC USP, between 1976 and 1978.

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Cameraperson

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Cameraperson

6.7 2016
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ชายหนุ่มคนหนึ่งถูกผลักดันเข้าสู่ชีวิตที่เต็มไปด้วยเล่ห์เหลี่ยม หลอกลวง และเข้าใจผิดในเรื่องตัวตน เพื่อตามหาหญิงสาวเจ้าเสน่ห์ที่หัวใจของเขาไม่เคยสามารถเข้าถึงได้

ล่าฝันพิศวาส บาปปรารถนา…กับดักมรณะ

6.1 2001
Visions of Light

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Visions of Light

7.0 1992