Compression Alphaville de Jean-Luc Godard

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Harold Meadows is a shy, stuttering bachelor working in a tailor shop, who is writing a guidebook, The Secret of Making Love, for other bashful young men. Fate has him meet rich girl Mary, and they fall in love. But she is about to wed an already married man, so our hero embarks upon a hair-raising daredevil ride to prevent the wedding.

In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.

When the mysterious woman in the room next door disappears, a debonair 70-year-old ex-spy living in a luxury hotel on the Côte d'Azur is confronted by the demons and darlings of a lurid past in which moviemaking, memories and madness collide.

With a torrid past that haunts him, a movie theatre owner is hired to search for the only existing print of a film so notorious that its single screening caused the viewers to become homicidally insane.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

เอดดี้ ดีค่อน ต้องการทำงานในอาชีพอะไรก็ได้ที่สามารถอยู่เงียบๆ ได้แม้ว่ามันจะน่าเบื่อซักแค่ไหน แต่เขาเลือกผิดวันผิดเวลา เหล่าเจ้าหน้าที่รักษาความปลอดภัยกะดึกที่ปราศจากอาวุธจะต้องเผชิญหน้ากับเหล่าผู้ก่อการร้ายที่หมายชีวิตเด็กสาวที่หลบหนีเข้ามาในห้างสรรพสินค้า ผู้เป็นพยานปากสำคัญในการตัดสินคดีที่มีหัวหน้าของเหล่าผู้ก่อการร้ายเป็นผู้ต้องหา