Mi suegra es un zombie

The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.

Mirta is doing her best to navigate the social and economic crisis pummeling Argentina on the eve of the 21st century, after all, she's got an unemployed husband, three stressed-out kids, and a drug addict father-in-law to look after. As the crisis promises to boot the family from the middle class, Mirta decides to open a pizzeria that will serve slices with lots of laughs and extra drama.

A comedy that chronicles a chance encounter between Robert and a Chinese named Jun who wanders lost through the city of Buenos Aires in search of his uncle after being assaulted by a taxi driver and his henchmen.

A bigamist with one family in Buenos Aires and the other in Mar del Plata sees his life turned upside down when his wives discover what he has hidden from them for so many years and unite to take revenge.

A dysfunctional family travels to Cuernavaca to celebrate their grandmother’s wedding.

Rodrigo and Rocco join their families to hold a birthday party for their grandfather. Rodrigo is a regular middle-class teenager, while Rocco is rather more unconventional, indie magazine writer, and has deep conflicts with his father.

Valentina's seemingly idyllic life in the US is interrupted when planning a wedding means introducing her fiancé to her scandalous family in Mexico.

Isabel is torn between the need to feel valued as an actress and her insecurities and contradictions. One night, she hosts a very special dinner: her husband Ángel, who is a scriptwriter, and Susana, Ángel's ex-wife and film director, want to convince Argentinian actor Diego Peretti to star in a movie. But at some point something unexpected happens that surprises everyone and disturbs the evening.

Mr. Arturo, an old rich Spanishman who arrives to Havana to marry Yoli, dies suddenly in bed. Yoli's family, afraid of losing all the money, convinces her ex-boyfriend Papito to go to Spain and get the money. Papito will have to be clever enough to deceive everybody and succeed in Spain

Lola and Cuau, a progressive middle-class pair, and Iñigo and Majo, a young conservative, well-heeled duo, turn to artificial insemination as a last resort to have children. In a madcap twist based on actual events, a mix-up at the clinic results in each mom-to-be carrying the other one's baby.