Living is like crossing a bridge. Is it possible that what looks like it is part of a cityscape is in fact a living being? Just like people, it is born, it lives an eventful life, it experiences its fate and its quiet forsaken aging, and then it inevitably dies. Meet Kyiv’s Rybalski Bridge and its memories.
Living is like crossing a bridge. Is it possible that what looks like it is part of a cityscape is in fact a living being? Just like people, it is born, it lives an eventful life, it experiences its fate and its quiet forsaken aging, and then it inevitably dies. Meet Kyiv’s Rybalski Bridge and its memories.
A dreamlike conversation with the past and the present, reimagining Latasha Harlins' story by excavating intimate memories shared by those who loved her.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
ในผลงานกำกับภาพยนตร์ขนาดยาวเรื่องแรก มาริสกา ฮาร์กิเทย์พาผู้ชมย้อนรอยเรื่องราวของแม่ของเธอเป็นครั้งแรก เจน แมนส์ฟีลด์ ตำนานฮอลลีวู้ดผู้จากไปอย่างน่าเศร้าเมื่อเกือบหกทศวรรษก่อน การค้นหาครั้งนี้คือการตามหา “แม่” ที่เธอไม่เคยได้รู้จัก
สารคดีเรื่องนี้สำรวจความคิดเกี่ยวกับการตรวจสอบผ่านกรณีการพาดหัวของอดีตเจ้าหน้าที่ที่ถูกตั้งข้อหาสมคบคิดที่จะลักพาตัวและกินผู้หญิง
A comedic, brutally honest documentary following self-destructive TV writer Dan Harmon as he takes his live podcast on a national tour.
สารคดีเผยชีวิตของแอนนา นิโคล สมิธผ่านสายตาของผู้คนใกล้ชิด ตั้งแต่ช่วงที่โด่งดังเป็นพลุแตกในฐานะนางแบบ ไปจนถึงการเสียชีวิตที่น่าเศร้า
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
The life and career of an actor, artist, and icon. His own journey through his own camera.