Tut-ankh Amen's Tomb (Daily Sketch Topical Budget 600-1) Backdrop Blur
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Tut-ankh Amen's Tomb (Daily Sketch Topical Budget 600-1)

"No Discovery of our Time has so Moved the Whole World"

"No discovery of our time has so moved the whole world," proclaims an intertitle introducing this special extended newsreel edition. For once, Topical Budget's characteristic hyperbole is on the money. The discovery and excavation (some would say grave-robbing) of the tomb of the 14th Century BC Egyptian pharaoh was already an international sensation by the time this newsreel screened in February 1923. The sense of breathless excitement surrounding the discovery extends to Topical's intertitles, which expend a good portion of the film's running time explaining the relatively fleeting, poor quality images of the excavation itself. But we do get to see the removal of an ebony, ivory and gold chair, and two glimpses of expedition leader Howard Carter - in long-shot from behind as announced in an intertitle, but also a much clearer, unheralded shot at the 'halfway rest house', where he cuts a dash in white shirt and trousers.

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"No discovery of our time has so moved the whole world," proclaims an intertitle introducing this special extended newsreel edition. For once, Topical Budget's characteristic hyperbole is on the money. The discovery and excavation (some would say grave-robbing) of the tomb of the 14th Century BC Egyptian pharaoh was already an international sensation by the time this newsreel screened in February 1923. The sense of breathless excitement surrounding the discovery extends to Topical's intertitles, which expend a good portion of the film's running time explaining the relatively fleeting, poor quality images of the excavation itself. But we do get to see the removal of an ebony, ivory and gold chair, and two glimpses of expedition leader Howard Carter - in long-shot from behind as announced in an intertitle, but also a much clearer, unheralded shot at the 'halfway rest house', where he cuts a dash in white shirt and trousers.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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