Scratch
In Scratch both the animation and the soundtrack are abstract. The movie is a conversation of sounds and images. Soundtrack and animation are scratched directly on 35 mm film.
In Scratch both the animation and the soundtrack are abstract. The movie is a conversation of sounds and images. Soundtrack and animation are scratched directly on 35 mm film.
In Scratch both the animation and the soundtrack are abstract. The movie is a conversation of sounds and images. Soundtrack and animation are scratched directly on 35 mm film.
In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
Mater finds a small UFO called Mator and they have a night out. Later, when Mator is captured by military forces, Mater sneaks up and saves him with the help of Lightning McQueen and the UFO's mother.
This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.
Experience these masterpieces of storytelling from the creative minds that brought you Toy Story, Monsters, Inc., Finding Nemo and many more. With revolutionary animation, unforgettable music and characters you love, these dazzling short films have changed the face of animation and entertainment and are sure to delight people of all ages for years to come.
Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.
Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.
A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.
ครอบครัวที่ยากไร้ นักพัฒนาอสังหาฯ ที่ร้อนใจและเจ้าของที่ดินที่เหลือทนกับปัญหาสารพัดต้องมาพัวพันกับบ้านพิศวงต่างยุคต่างสมัยในภาพยนตร์อนิเมชั่นตลกร้ายเรื่องนี้
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.
ครอบครัวซิมป์สันจัดปาร์ตี้และเชิญทุกคนยกเว้นโฮเมอร์ แต่งานนี้กลายเป็นมหกรรมแห่งปีของสปริงฟิลด์เมื่อมีเพื่อนๆ คนอื่นๆ ในบริการของเรามาร่วมงานด้วย